Alfred Hitchcock Essay Topics

Film as Mirror in Hitchcock’s Vertigo

Alfred Hitchcock’s Vertigo is a master’s class in subtle and effective filmmaking – its noirish tale of obsession and loss is considered one of his best works. This is due in no small part to the directors’ use of the various elements of film as a mirror. Hitchcock intends to create a sense of repetition… View Article

Effects of Suspense in Psycho

The building of emotion, whether it is romantic love or deep hatred, can make a low-budget film into a blockbuster hit. Directors are constantly trying to build this deep feeling and emotion to make blockbuster hits. Alfred Hitchcock made hit films but instead, he built suspense – so much that it scared women from showering… View Article

Notes on the Auteur Theory

The auteur theory consists of a director’s own personality or attitude in each film that they create. Each film has his or her own style and they use their own personal technique in each film differently. In the article entitled “Notes on the Auteur Theory,” written by Andrew Sarris, he states that there are three… View Article

Hitchcock Comparative Essay Between Strangers on a Train and Birds

Since the beginning of making films and the commencement of this art and industry as a whole, we could notice that there are several directors who stand out of the crowd saliently. One of these directors is definitely Sir Alfred Hitchcock. Hitchcock has directed several films that trumped the charts, grossing millions and putting the… View Article

The Similarities of Alfred Hitchcock and Edward Hopper

Alfred Hitchcock, also known as, “The Master of Suspense”, was a director to a variety of award winning films. Many Hitchcock movies will be noticeably inspired by numerous paintings, including the work of iconic artist Edward Hopper. Hopper, born in New York, was well known for his realist paintings. Comparing the paintings and films, one… View Article

Vertigo – Hitchcock Defying Genres

Based on the French novel D’Entre les Morts by Pierre Boileau and Thomas Narcejac, Vertigo is arguably one of Alfred Hitchcock’s masterpieces and the “strangest, yet most hauntingly beautiful film he had ever made” (Adair, 2002). At the time, its far-fetched plot drew a mixed response from critics – Time magazine called the movie a… View Article

Achievements of Alfred Hitchcock

Alfred Hitchcock, born in 1899 in England, remains a prominent figure in the world of cinema. Hitchcock’s passion for film began in his childhood with his first job as writer of the title cards for silent films and, later on, becoming a director. Influenced by his Catholic upbringing, Hitchcock developed a sense of guilt and… View Article

The Birds: Movies Vs. Short Stories

Both Alfred Hitchcock and Daphne du Maurier had a version of a story titled The Birds. Though both stories share a name theyre are completely different. One is a short story by Daphne du Maurier about a man, Nat, and his family who live and England and are attacked by birds. The other a movie… View Article

The duality of human nature in the film Psycho

Alfred Hitchcock uses many ways to explore the duality of human nature in his films, especially in the 1960 horror thriller Psycho. The duality of human nature represents our inner self, aspects that are mainly opposites, the light showing good, the dark showing evil, the natural and the unnatural, are just some examples of human… View Article

The Dynamics in Alfred Hitchcock’s Rear Window and Psycho

From the creative mind of Alfred Hitchcock came many a classic film, but two that stand out are the thrillers Rear Window and Psycho. These films capture the viewer and create an atmosphere so unique and fresh that you feel as though you personally know the characters; sometimes you even feel like you’re becoming the… View Article

Vertigo – Hitchcock Defying Genres

Based on the French novel D’Entre les Morts by Pierre Boileau and Thomas Narcejac, Vertigo is arguably one of Alfred Hitchcock’s masterpieces and the “strangest, yet most hauntingly beautiful film he had ever made” (Adair, 2002). At the time, its far-fetched plot drew a mixed response from critics – Time magazine called the movie a… View Article