Utilizing The American Experience Within Art

In Modern art, the experience within American development is expressed, felt and experienced in various ways. The American experience shows the way art replicates the aesthetics, national events and reflections, trends, and theories. In many exhibits, American visual art is one of the only remaining permanent art concept that remains. It demonstrates the role of American artists and hence shapes the overall development of art in America. The different forms of exhibits contain different modes such as paintings, sculpures, art installation, works on the papers, photography etc.

The analysis of "Baptism Collage" artwork by Romare Bearden, "Relics from Camp" by Kristine Yuki Aono, and "Passages" by Dan Namingha helps in analyzing the different forms of experiences within American culture by the artists. The analysis also reveals the advantages of incorporating other components in expressing the artist's message and views. Lastly, the analysis enables explaining the similarities and differences of utilizing the American experience within art.

Romare Bearden artwork, "The Prevalence of Ritual" expresses the artists' mature fruition of the theme of aesthetic expression on lifestyle and life of people from different cultures especially through plastic language and visual expression.

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The theme of this artist involves his engagement with his up and coming works such as the collage shows that dates between 1964 and 1971. Bearden art is a choreography that shows the daily life myriad shades of emotions and feelings that are common to humanity, and vibrant movement. The entire artwork of these artists is nurtured by his inspiration and knowledge as a black American.

Essentially, Bearden artwork attempts to explore the things that are common to all cultures. On the other hand, Kristine Yuki Aono artwork illustrates American experience within Japanese artwork. Notably, Aono's artwork, "Relics from the Camp," involves visitation of the Japanese-American Internment Camps. The artist also developed pilgrimages where her parents were taken away during World War II. Lastly, "Passages" by Dan Namingha expresses the interrelation of exposure for American artists as well as Asian concepts in Art. According to this artist, the world consists of balanced structural dualities. Thus, even in artwork, the concept also involves various cultures to ensure completeness.

In the "Prevalence of Ritual" by Bearden, the art presents episodes of Greek mythology as well as the biblical stories. For instance, "The Baptism Collage" illustrates what the ritual involved as well as the involved participants. “The Baptism Collage,” shows the involvement of not only men with a religious background but as also women as per the American concept. The use of different colors on the participant's face shows that the ritual involves people from varying cultures. The collage also shows a cross sign representing the church. There is also a train to show the other developments that were initiated by the Americans in Africa. The Aono work exhibits the assemblage of Japanese and American group hand made objects such as crafted jewelry, slippers, and game pieces. This particular craft also has stories and photographs that were taken during the war period. The "Passages" illustrates the union of the physical universe. The artwork shows the interplay of orientations. The 1999 Passages artwork illustrates a circle that is shaded equally into two. The circle exhibits the globe, the two colors show the duality concepts. Despite the two different colors, the background has similar plantations but different developments, which when combined forms a complete globe.

The use of mixed components by the three artists helps explain their views and messages. The use of varying cultural experiences also has various advantages. Firstly, as noted earlier it enhances completion. Secondly, it helps in analyzing the development of a culture on the other (Genocchio, 2004). For instance, the "Baptism Collage" illustrates the development of US experience on African culture such inclusion of females in religious rituals, transportation developments, and construction of churches. The mixed components also enhance transcultural. Thus, it reflects the ethnic diversity and cross-cultural dialogue. Equally, incorporating mixed cultural experiences shows the global ubiquity and the visual difference between cultures. For instance, the three discussed artworks illustrate how different art designs express the cultural differences and similarities. The use of white and black visuals, photographs, and metaphors. The presentation shows how different cultures vary in explaining their work. For instance, the American experience in artwork enhances the aesthetic, prosperity, skills, and innovation expressions. Moreover, contrary to artwork developed by Americans, African, Asian, and Indian artist focuses much on identity, creativity, and social capital.

In conclusion, American experience has a significant influence on other cultures artwork. The inclusion of American experience in art is essential as it reveals the similarity and its differences with artworks in other cultures. More so, the use of mixed interactions enables cross-cultural experiences and hence enhanced the innovation. However, despite the similarities, artwork from different cultures varies in effect to the influence of technology advancement as well as cultural background.