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Baz Luhrmann's adaptation of the opening scenes in Shakespeare's "Romeo and Juliet" is undeniably effective and fresh. Unlike typical films, Luhrmann upfront tells us what's coming, and surprisingly, it adds to the whole experience rather than spoiling it. This essay dives into how Luhrmann mixes Shakespeare's classic vibe with a modern twist, crafting a captivating beginning.
The opening sequence kicks off uniquely. A TV in a dim room flickers to life, gradually zooming in to reveal a news broadcast delivering Shakespeare's original prologue.
Luhrmann cleverly updates this using news media, giving the tale a contemporary touch. As the news presenter's voice blends with visuals of skyscrapers and police helicopters, the feud between the Capulet and Montague families takes center stage.
To reinforce the conflict, Luhrmann uses a dual approach to convey the prologue. First, the news presenter reads Shakespeare's lines, preserving the playwright's essence. Then, a voiceover repeats the lines, accompanied by visuals of skyscrapers, newspaper headlines, and police helicopters.
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This dynamic approach modernizes the play, aligning with Shakespeare's audience-centric writing style.
Luhrmann goes beyond the prologue, infusing modern elements throughout the film. Private license plates on Capulet and Montague cars, an urban setting, and contemporary fashion choices all add to the film's updated feel. Clothing becomes a visual cue, distinguishing the carefree Montague boys in vibrant beach shirts from the darker, cigar-smoking Capulet Gang.
This meticulous modernization not only caters to today's audience but also aligns with Luhrmann's goal of revitalizing a timeless classic.
Amid the modernization, Luhrmann smartly preserves key Shakespearean elements, grounding the film in the playwright's original vision.
Old English language and script persist, nodding to the authenticity of Shakespeare's work. A cheeky touch highlighting the absence of guns in Shakespeare's time comes through an extreme close-up on Benvolio's gun, humorously labeled ""SWORD 11."" This clever inclusion bridges the temporal gap, emphasizing the timeless themes in "Romeo and Juliet."
Luhrmann's approach to introducing characters is a masterstroke in grabbing audience attention. Rather than following convention, he teases viewers with brief snippets of characters in action. A snippet is followed by a freeze frame, accompanied by text detailing the character's name and their relationship to Romeo or Juliet. The dramatic music builds tension, turning characters into more than players – they become part of a symphony of emotion and drama.
A standout feature is the intentional contrast in introducing Montague and Capulet characters. The Montague boys are carefree, their introduction accompanied by the energetic beats of pop music from their car. This sets the tone for their characters. In contrast, the Capulet boys make a tense entrance at a petrol station. Tybalt's arrival, shown only through his feet and the ominous noise of his steel-heeled shoes, intensifies the anticipation. Cowboy-style western music accompanies freeze frames, emphasizing the distinctiveness of the Capulet gang.
The shift to the garage scene showcases Luhrmann's directorial finesse. Western imagery is cleverly infused, with a swinging fuel sign mimicking saloon doors and moments of silence heightening certain scenes. Tybalt's actions, like grinding items with his shoes and smoking cigars, are amplified in volume, creating a stark contrast to surrounding silence. Every action becomes a deliberate statement, echoing the intensity and drama of the western genre.
Beyond technical elements, Luhrmann excels in portraying the Montagues and Capulets as distinct entities. The Montague boys, initially oblivious, engage in light-hearted banter, injecting humor into the narrative. However, when Tybalt silently enters, the mood shifts drastically. The Montagues, carefree moments ago, are suddenly gripped with fear, visibly terrified at the realization of the Capulets' presence.
This stark contrast sets the stage for the impending conflict, establishing the Montagues as the less aggressive faction. Luhrmann's adept handling of character dynamics adds depth to the opening scenes, foreshadowing the tension and drama that will unfold.
In conclusion, Baz Luhrmann's modernization of the opening scenes in "Romeo and Juliet" is a triumph of cinematic innovation. His seamless blending of Shakespearean elements with contemporary twists breathes new life into the timeless classic. From the strategic use of news media to the portrayal of characters with modern flair, Luhrmann's directorial choices contribute to the film's engaging and refreshing beginning.
Evaluating Baz Luhrmann's Take on "Romeo and Juliet". (2020, Jun 02). Retrieved from https://studymoose.com/makes-opening-romeo-juliet-effective-new-essay
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