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The perennial debate surrounding the influence of nature versus nurture on human character has long captivated psychologists and scholars alike. Alan Paton's masterful work, "Cry, the Beloved Country," delves into this discourse through the lens of two brothers, John and Stephen Kumalo. This essay explores the intricate connections between a person's environment and their character, examining how Paton employs the characters to illuminate the profound impact of nature and nurture.
In the bustling streets of Johannesburg, Paton introduces us to John Kumalo, a shopkeeper and politician whose values sharply contrast with those of his brother, Stephen Kumalo.
John's immersion in city life fosters a distinct appreciation for money and political influence. His declaration to Stephen reflects this shift: "Down in Ndotsheni I am nobody... Here in Johannesburg, I am a man of some importance, of some influence" (35). John's prioritization of personal success over communal well-being is evident as he emphasizes his business prowess and political connections.
Msimangu's observation that John lacks the courage to face imprisonment highlights John's self-serving nature.
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While advocating for causes, John avoids personal sacrifice, revealing a selfish disposition. The narrator reinforces this by stating, "There are some men who long for martyrdom... But John Kumalo is not one of them. There is no applause in prison" (185-186). John's reluctance to endure personal hardship for the greater good underscores the corrosive effects of city living on his character.
In stark contrast to John, Stephen Kumalo, a reverend, embodies humility and genuine love for his family and country.
Rejecting John's equation of power with money and politics, Stephen asserts, "...there is only one thing that has power completely, and that is love. Because when a man loves, he seeks no power, and therefore has power" (39). His vision for the country transcends racial boundaries, emphasizing unity and a shared commitment to the common good: "I see only one hope for our country... when white men and black men, desiring neither power nor money, but desiring only the good of their country, come together to work for it" (39-40).
Despite recognizing the challenges facing the country due to urbanization, Stephen remains steadfast in valuing principles such as love and peace over material gains. His dedication to the well-being of his fellow citizens, irrespective of race, reflects an unwavering commitment to higher moral ideals.
Paton skillfully places both John and Stephen Kumalo in analogous family crises, emphasizing the impact of their environments on their character. The sons of both brothers face accusations of murder, providing a revealing backdrop to their contrasting values. John, a product of city values, callously abandons his son, prioritizing his personal pursuits over familial responsibilities. In stark contrast, Stephen exhibits profound concern for his son, offering support during the trial and expressing love even after his son's tragic demise.
Stephen's moral fortitude and ethical values in the face of adversity stand in stark contrast to John's indifference. This stark divergence further underscores Paton's thematic exploration, illustrating how the environment shapes an individual's values, priorities, and responses to familial challenges.
In "Cry, the Beloved Country," Alan Paton weaves a narrative that transcends the confines of a familial saga, offering profound insights into the nature versus nurture debate. Through the characters of John and Stephen Kumalo, Paton artfully illustrates the transformative power of one's environment on character development. The city's allure, with its siren call of power and wealth, corrupts John's values, rendering him self-centered and opportunistic. In contrast, Stephen's rural upbringing instills in him a commitment to love, unity, and the greater good of his nation.
This exploration of nature versus nurture through the lens of "Cry, the Beloved Country" serves as a poignant reminder of the delicate interplay between individual disposition and external influences. As we navigate the complexities of human character, it becomes evident that the choices we make and the values we hold are intrinsically tied to the environments that shape us.
In conclusion, Alan Paton's "Cry, the Beloved Country" stands as a compelling exploration of the nature versus nurture debate. The characters of John and Stephen Kumalo serve as archetypes, representing the contrasting impacts of city life and rural values on individual character. As the narrative unfolds, Paton skillfully navigates the intricacies of human psyche, revealing how external influences shape our beliefs, choices, and moral compass.
This timeless novel prompts us to reflect on our own lives and the environments that mold us. The nuanced portrayal of the Kumalo brothers encourages us to ponder the extent to which our values are predetermined by our surroundings or are products of conscious choices. "Cry, the Beloved Country" beckons us to engage in a profound examination of the human condition, urging us to question, reflect, and ultimately, strive for a harmonious synthesis of nature and nurture.
The Nexus of Nature and Nurture in "Cry, the Beloved Country. (2020, Jun 01). Retrieved from https://studymoose.com/cry-beloved-country-new-essay
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