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William Golding's novel, "Lord of the Flies," explores the profound theme of the inherent struggle between civilization and savagery within human nature. Through the characters and their evolving behaviors, the novel presents a compelling comparison of what it means to be civilized and what it means to embrace one's primal instincts. This essay delves into the contrasting elements of responsibility, coming of age, and rationalism as portrayed in the story, shedding light on the dichotomy between being a beast and being a civilized individual.
Responsibility serves as a defining factor in distinguishing between civilization and savagery in "Lord of the Flies." Ralph, one of the central characters in the novel, embodies the qualities of a responsible and civilized leader.
He uses the conch as a symbol of authority to establish order and facilitate civilized discourse among the stranded boys. Ralph's commitment to keeping the group together and ensuring their safety showcases his sense of responsibility and leadership.
For instance, he recognizes the vulnerability of the littluns, the younger boys on the island, and takes it upon himself to provide shelter for them.
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This act reflects his sense of duty and the desire to protect the weaker members of the group, demonstrating the responsibilities of a civilized society.
On the other hand, the character of Jack represents the descent into savagery as he becomes obsessed with hunting and power. While initially agreeing to maintain the signal fire for potential rescue, Jack prioritizes the pursuit of game over the group's rescue efforts.
His abandonment of responsibility in favor of personal desires illustrates the ease with which individuals can forsake their civilized values when driven by primal instincts.
The progression from innocence to experience, often referred to as coming of age, is a central theme in "Lord of the Flies." The boys on the island undergo a transformative journey that reveals the stark contrast between the civilized world they left behind and the savage existence they embrace. As the story unfolds, the majority of the characters abandon their initial hopes of rescue and succumb to the allure of carefree living.
Their transition from well-behaved, orderly children to bloodthirsty hunters exemplifies the loss of innocence and the emergence of their primal instincts. While characters like Ralph, Piggy, and Simon attempt to retain their humanity and cling to the notion of rescue, the rest of the boys surrender to the seductive call of savagery.
Jack, in particular, symbolizes this loss of innocence as he leads the boys into a state of anarchy and violence. His descent into savagery is marked by the symbolic act of painting his face, which represents the shedding of his former self and the emergence of a ruthless persona. The boys' disregard for moral values and their willingness to commit acts of brutality underscore the dark journey from childhood innocence to the harsh reality of their circumstances.
The dichotomy between rationalism and primal instincts is a central theme in "Lord of the Flies," illustrating the fine line between maintaining a civilized society and succumbing to savagery. Ralph's initial commitment to rational decision-making and his focus on the signal fire as a means of rescue reflect the importance of reason and logic in maintaining order.
However, as the boys become increasingly consumed by their primal desires, rationalism gives way to impulsivity and chaos. Jack's abandonment of the signal fire in favor of hunting and the boys' participation in the frenzied dance around the fire symbolize the triumph of primal instincts over reason.
Piggy, characterized as a weak yet intelligent and resourceful individual, represents the voice of reason and rationalism throughout the novel. He consistently emphasizes the importance of maintaining order and adhering to the rules. His attachment to the conch as a symbol of authority underscores the value he places on rational decision-making and the need for a civilized society.
Jack, on the other hand, embodies the allure of primal instincts. His use of face paint, or "war paint," serves as a metaphor for the transformation from a rational, civilized boy to a savage warrior. The ritualistic hunting dances and the brutal killing of the sow illustrate the power of primal instincts to override reason and morality.
In conclusion, "Lord of the Flies" by William Golding delves into the dual nature of humanity, juxtaposing civilization with savagery. The characters in the novel exemplify the contrasting elements of responsibility, coming of age, and rationalism, providing a vivid portrayal of the struggle between being a beast and a civilized individual. Ralph's unwavering commitment to responsibility and rationalism represents the embodiment of civilization, while characters like Jack embody the allure of primal instincts and the descent into savagery.
The novel serves as a powerful commentary on the fragility of civilization and the ease with which individuals can abandon their moral compass when faced with the harsh realities of survival. Ultimately, "Lord of the Flies" serves as a cautionary tale, reminding us of the eternal battle within ourselves between the desire for order and the allure of chaos.
The Duality of Humanity: Civilization vs. Savagery in "Lord of the Flies". (2016, May 04). Retrieved from https://studymoose.com/lord-of-the-flies-savagery-vs-civilization-essay
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