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The somber reality of death often conceals the intricate and, at times, unsettling procedures that precede a funeral. Jessica Mitford, in her illuminating work, unveils the clandestine practices of the funeral industry, shedding light on the transformation that loved ones undergo before their final farewell. This essay delves into the detailed revelations made by Mitford, exploring the economic motivations, procedural intricacies, and the ethical considerations surrounding the business of embalming.
From the moment a person breathes their last, a swift and seemingly heartless process unfolds.
The lifeless body is swiftly transported to the morgue, initiating a series of procedures, often driven by a sense of urgency. Mitford's poignant description likens this process to preparing for surgery, raising questions about the compassionate treatment of the deceased (Mitford 333). The expeditious nature of this procedure, aimed at commencing embalming promptly, prompts reflection on the industry's priorities.
The objective of this embalming process is not merely pragmatic; it extends to the creation of an aesthetically pleasing image of the departed.
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Mitford captures this essence, noting the industry's pursuit of crafting a beautiful picture for the grieving family (Mitford 335). However, the ethical implications of this practice become apparent when considering whether this pursuit is genuinely about providing solace or, as Mitford suggests, a lucrative venture masked as a service.
Despite the emotional vulnerability of mourning families, the funeral industry appears to capitalize on their grief. Mitford's assertion that Americans willingly contribute hundreds of millions of dollars to perpetuate this practice prompts scrutiny into the transparency of the industry (Mitford 337).
The lack of awareness among consumers about the processes behind the scenes underscores the exploitative nature of an industry that thrives on the grief of others.
As Mitford unmasks the intricacies of the embalming process, the sheer extent of the industry's efforts to refurbish the deceased becomes apparent. Chemicals, incisions, and stuffing are deployed to imbue a sense of normalcy upon the lifeless form. The unsettling revelation that limbs, when decapitated, are reconstructed using plaster, highlights the industry's commitment to presenting a surreal semblance of reality (Mitford 335). The irony lies in the meticulous efforts to make the deceased appear authentic, serving a purpose that extends beyond genuine commemoration.
Further exacerbating the discomfort is the commodification of mourning. Funeral homes, attuned to the emotional vulnerability of grieving families, tailor price packages based on the depth of their sorrow. The commodification of grief raises ethical concerns, with the industry capitalizing on mourning rather than offering genuine solace and support. The concealment of exorbitant prices until the completion of the embalming process adds another layer to the industry's non-transparent practices.
Mitford's central argument revolves around the necessity for awareness and understanding of these practices. By laying bare the procedures hidden behind the formaldehyde curtain, she advocates for a shift in funeral practices and a collective awakening to the unsettling realities of the funeral industry.
The revelations made by Jessica Mitford pose a significant challenge to the longstanding traditions and practices of the funeral industry. Traditionally, death has been a sacred and deeply personal moment, with rituals and ceremonies designed to honor and remember the departed. However, Mitford's exposé forces us to confront the commercialization and commodification that have seeped into these traditions.
The urgency with which bodies are transported to the morgue and the subsequent embalming process, as described by Mitford, starkly contrast with the serene and respectful image we associate with saying our final goodbyes. The question arises: are these expedited processes truly in the best interest of the mourning families, or are they driven by economic motives?
Moreover, the meticulous refurbishing of the deceased, from the application of makeup to the reconstruction of limbs, raises ethical questions about authenticity and the portrayal of death. In the quest for a picturesque presentation, are we sacrificing the genuine essence of the departed and the mourning process?
While Mitford's revelations may unsettle our preconceived notions about the funeral industry, they also present an opportunity for reflection and reformation. The commodification of grief, the non-transparent pricing structures, and the urgency in embalming all call for a reimagining of how we bid farewell to our loved ones.
One avenue for reform lies in fostering greater transparency within the industry. Families should be informed and empowered to make decisions based on a clear understanding of the processes involved and the associated costs. The concealment of prices until after embalming is not only ethically questionable but also places an undue financial burden on mourning families.
Furthermore, the industry should engage in a dialogue about the true purpose of embalming. Is it solely for the comfort of the bereaved, or does it serve economic interests? By reevaluating the necessity and ethics of certain practices, we can move towards a funeral industry that prioritizes genuine support for grieving families over profit margins.
Jessica Mitford's exposé on the funeral industry invites readers to confront the uncomfortable truths that pervade the processes leading to a funeral. The urgency, commodification of grief, and meticulous efforts to refurbish the deceased underscore the industry's complex relationship with death and mourning. As consumers, there is a collective responsibility to question and reconsider the practices that have become entrenched in the funeral culture. By fostering awareness and encouraging transparency, we can work towards a more compassionate and ethically sound approach to bidding farewell to our loved ones.
Unveiling the Funeral Industry Practices. (2017, Feb 11). Retrieved from https://studymoose.com/the-formaldehyde-curtain-response-and-summary-paper-essay
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