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The profound beauty of this artistic masterpiece, coupled with the intricate craftsmanship, unequivocally points to its creation by the esteemed guild of royal ivory carvers, exclusively for the reigning monarch. Composed of ivory, iron, and copper, adorned with inlaid metal and intricate coral carvings, this exquisite piece stands as a testament to the skilled artisans of the time. Its dimensions, measuring H. 9 3/8 x W. 5 x D. 3 1/4 in. (23.8 x 12.7 x 8.3 cm), showcase the meticulous attention to detail.
The mask itself embodies a sensitive and idealized human portrait, capturing its subject with softly modeled features.
Framed by an elegant tiara-like coiffure and an openwork collar, the pupils are intricately inlaid with iron metal, while the forehead bears carved scarification marks. Notably, the necklace features miniature motifs representing the heads of Portuguese soldiers, complete with beards and flowing hair.
Within the crown tiara-like coiffure, additional carvings depict Portuguese heads interspersed with stylized mudfish, symbolizing Olokun, the Lord of the Great Waters.
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The amalgamation of cultural influences in this mask reflects the intricate interplay between Benin and Portuguese aesthetics during the early sixteenth century.
The necklace, although displaying signs of damage or missing pieces, tells a story of the mask's journey through time, highlighting the fragility of coral as a medium. This artifact, recognized as the "Queen Mother Pendant Mask: Iyoba," finds its home today at the Metropolitan Museum of Art in New York. In the realm of African art, where representations of women are scarce, this piece transcends its physical form, symbolizing the enduring legacy of a dynasty that persists to the present day.
Across various African cultures, the head holds immense significance, serving as a powerful and symbolic entity.
In Marilyn Stokstad and Michael W. Cothren's "Art of History" (2011), the authors elucidate that the head, often referred to as the "Great Head" in honorifics for the king, symbolizes intelligence, wisdom, and the ruler's ability to lead. Memorial heads, including this pendant mask, feature coral-beaded caps, necklaces, and regal attire, emphasizing the head's central role in the king's leadership.
Delving into the historical context of the mask, an article titled "Iyoba Idia: The Hidden Oba Of Benin," penned by Nkiru Nzegwu in 2006, provides insights into the significance of iron and copper inserts within the cavities of the mask. These inserts, embedded in the original model, were not merely decorative but served a purpose in the narrative. According to Nzegwu, the striations on the forehead resulted from incisions made by a local doctor-diviner to disfigure Idia, the queen mother, making her unattractive to Oba Ozolua.
The failed attempt, as narrated by Oba Erediauwa, involved the incorporation of potent medicinal potions within the incisions. However, the Oba, sensing the deception, neutralized the effects before encountering Idia. This narrative adds a layer of complexity to the mask, infusing it with historical depth and the resilience of the queen mother, Idia.
This pendant mask, a representation of an iyoba (queen mother), specifically Idia, stands as a poignant tribute to her. Produced in the early sixteenth century for King Esigie, who ruled Benin from 1504 to 1550, the mask served as an homage to the queen mother's pivotal role in supporting her son's reign. Various interpretations suggest that it might have functioned as a belt ornament, worn at the oba's hip during rites commemorating his mother.
Notably, the support of Idia and Portuguese soldiers played a crucial role in Esigie's kingdom expansion. Idia, renowned for raising an army and utilizing magical powers to aid her son in defeating enemies, left an indelible mark on Benin's history. Today, similar pendants are worn at annual ceremonies of spiritual renewal and purification, continuing the tradition established by Queen Mother Idia.
Expanding on the cultural symbolism, the head in African tradition represents not only physical presence but also the symbolic center of intelligence, wisdom, and the ability to connect with spiritual forces in the ancestral world. According to Stokstad and Cothren, the head, often referred to as the "Great Head" in honorifics for the king, leads the body just as the king leads the people. Coral, prominently featured in the pendant mask, encapsulates the oba's power and authority, emphasizing its significance in the visual language of Benin art.
In Nzegwu's article, the cavities within the mask are explored further, revealing a historical narrative of attempts to disfigure Idia to protect her from becoming an Oba's wife. The incorporation of iron and copper inserts, along with medicinal potions, adds layers of meaning to the mask, showcasing the complexities of royal life and the interplay between spiritual beliefs and political power.
In conclusion, the Queen Mother Pendant Mask: Iyoba, with its amalgamation of artistic finesse and cultural symbolism, transcends its physical existence. It serves not only as a representation of the royal court's skilled artisans but also as a testament to the enduring legacy of Queen Mother Idia and the Benin dynasty. As it finds its place within the Metropolitan Museum of Art, this masterpiece continues to narrate a story of resilience, cultural intertwining, and the pivotal role of the head in African symbolism.
The Legacy Unveiled: Queen Mother Pendant Mask in Benin Art. (2016, Sep 21). Retrieved from https://studymoose.com/queen-mother-pendant-mask-in-art-history-essay
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