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Martin Scorcese's cinematic masterpiece, "The Departed," intricately weaves a narrative that delves into the complex interplay of criminological theories and the choices made by its characters. Within the expansive framework of criminology, the film prominently explores four major theories—Choice Theory, Trait Theory, Social Structure Theory, and Social Process Theory. While each theory finds moments of applicability within the storyline, the overarching theme asserts the supremacy of Choice Theory. This essay critically analyzes the characters' trajectories, providing insights into the dynamics of criminality and individual agency.
The film introduces Frank Costello, a captivating antagonist whose philosophy boldly challenges conventional criminological theories.
In one pivotal statement, Costello declares, "I don't want to be a product of my environment. I want my environment to be a product of me." This assertion serves as a manifesto for Choice Theory, emphasizing personal agency over the deterministic influences of social structure and societal processes. Costello consciously opts for a life of crime, establishing himself as a powerful force shaping his own destiny.
Costello's rejection of external determinants aligns with Choice Theory, highlighting the belief that criminal behavior is a result of rational decisions.
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His deliberate choice to engage in criminal activities becomes a central tenet of his character, setting the stage for a narrative that challenges traditional criminological perspectives.
At the heart of the narrative, undercover state police officer Billy Costigan provides a nuanced exploration of the intricate factors influencing criminal involvement.
Costigan's family background, characterized by a dual heritage from the North shore and South Boston, introduces complexities that resonate with Social Structure theory. However, it is his immersion in criminal activities, facilitated by an undercover assignment and familial connections to organized crime, that aligns with Social Process theory.
Despite these external pressures, Costigan's commitment to his role as a state police officer reflects the transformative power of individual choice. His journey becomes a testament to the idea that even within a web of conflicting influences, one's decisions can shape a distinct path. Costigan navigates through the complexities of his identity, ultimately demonstrating that personal agency can supersede the deterministic elements proposed by traditional criminological theories.
Colin Sullivan, Costello's mole within the state police, introduces another layer of complexity to the exploration of criminological theories. Raised in the impoverished confines of South Boston under the influence of the Costello organization, Sullivan's early exposure to criminal activities aligns with Social Process theory. The systematic grooming into the inner circles of the organization, orchestrated by Costello from a young age, further emphasizes the impact of social processes on criminal behavior.
Sullivan's loyalty to the criminal enterprise remains unwavering, underscoring the powerful influence of Social Structure theory. However, when presented with the opportunity to break free from the criminal grip and transition to legitimacy following Costello's demise, Sullivan attempts to make that choice. His endeavor to distance himself from a life of crime highlights the potential for individual agency to overcome deeply ingrained social structures.
While criminological theories may offer competing explanations for the characters' paths, "The Departed" emphasizes the centrality of choice in determining their fates. Each major character grapples with external influences, family backgrounds, and criminal exposures. However, it is their individual decisions that propel the narrative forward. In a cinematic landscape rich with moral ambiguity, Scorcese's masterpiece reinforces the notion that, regardless of external pressures, it is the exercise of free will that defines the complex interplay between theories of criminology and the characters in "The Departed."
As the characters navigate the intricate web of crime, loyalty, and identity, "The Departed" prompts viewers to reflect on the intricate nuances of criminal behavior. The film challenges conventional criminological paradigms, inviting audiences to contemplate the role of personal agency in the face of societal structures and processes. In its exploration of Choice Theory as the driving force behind the characters' destinies, "The Departed" presents a compelling case for the enduring significance of individual choice in shaping the complexities of criminality.
"The Departed": Navigating Criminal Choices and Personal Agency. (2018, Nov 24). Retrieved from https://studymoose.com/theories-of-criminology-and-the-departed-essay
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