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In the initial two volumes of C.S. Lewis's Chronicles of Narnia, the character of Aslan stands as a vivid representation of divine attributes, akin to the portrayal of Jesus in Narnia. As a parallel figure, Aslan instills fear in adversaries and evokes love and loyalty from allies, reminiscent of a classic fairy tale. However, the subsequent books in the series witness a transformation in Aslan's character, marked by increased distance and formality. This essay delves into the evolving nature of Aslan, exploring how Lewis deepens the spiritual dimensions of his characters, introduces elements of faith, and draws poignant parallels between Aslan and the divine figure of Christ.
Lewis masterfully enhances the spiritual journey of his characters by rendering Aslan more elusive.
In The Voyage of the Dawn Treader, Aslan takes on a more distant persona, appearing in various forms, including that of a lamb. This distancing effect serves to amplify the role of faith in the characters' connection with Aslan, introducing the concept of belief without direct visual confirmation.
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An illustrative example is found in the character Reepicheep, the valiant mouse, driven by an unwavering determination to reach Aslan's Country, symbolizing Heaven, even if it means swimming to the edge of the world. This evolution introduces a layer of complexity to the characters' relationships with Aslan, elevating the narrative beyond a mere fairy tale.
The final two Chronicles, "The Magician's Nephew" and "The Last Battle," bookend the Narnian saga by addressing its inception and conclusion.
In "The Magician's Nephew," Lewis provides a Genesis-like account of Narnia's creation, with Aslan assuming the role of the Creator who sings the land into existence. This parallel to the biblical narrative of God creating the world adds a profound layer of significance to Aslan's character.
Moreover, the resemblances between Christ and Aslan are striking. Aslan's proclamation, "I am the great Bridge-builder," echoes Christ's declaration, "I am the Way, the Door." In "The Horse and His Boy," Aslan's invitation to touch and feel his physical form mirrors Jesus urging Thomas to touch His wounds as proof of His resurrection. The parallel blood symbolism further underscores the shared elements, as a drop of Aslan's blood revives Prince Caspian, mirroring Christ's redemptive power to bring believers to new life.
Within "The Lion, the Witch, and the Wardrobe," the Stone Table becomes a pivotal symbol where the Witch slays Aslan. However, an ancient magic, older than the table itself, dictates that a willing and innocent victim's death would crack the table and reverse death. This profound parallel resonates with the resurrection of Jesus, who, like Aslan, rises from death. The discovery of resurrection is also mirrored in both narratives, with female followers, Susan and Lucy for Aslan, and Mary Magdalene and other women for Christ, being the first witnesses.
As Aslan breathes life into the creatures turned to stone by the White Witch, akin to Jesus creating life after resurrection, a shared likeness between The Bible and The Chronicles of Narnia becomes evident. Both narratives encapsulate a divine mimicry, intertwining themes of sacrifice, resurrection, and the triumph of good over evil.
In conclusion, C.S. Lewis masterfully crafts a divine tapestry within the Chronicles of Narnia, where Aslan's character evolves, mirroring the spiritual journey and narratives found in the New Testament. From a clear-cut figure resembling Jesus to a more distant and symbolic presence, Aslan becomes a conduit for profound spiritual exploration. The parallels between Aslan and Christ, evident in their roles as creators, bridge-builders, and sources of resurrection, enrich the narrative with layers of theological depth. As Narnia unfolds from its Genesis to its apocalyptic end, the shared likeness between The Bible and The Chronicles of Narnia emerges as a testament to Lewis's intricate and transcendent storytelling.
Narnia's Divine Parallels. (2016, Dec 22). Retrieved from https://studymoose.com/resemblence-between-christ-and-aslan-essay
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