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Aristotle, the ancient Greek philosopher, classified recognitions and reversals as pivotal elements in the realm of tragedy within plays or stories. These components serve multiple purposes, including character development, plot progression, and evoking a powerful emotional response from the audience.
Recognition, involving the realization or understanding that someone or something has been previously encountered or experienced, and reversal, signifying a profound shift in attitude, principles, or perspective, collectively contribute to the tragic essence of a narrative. In this essay, we will delve into the significance of recognition and reversal in the context of tragedy, drawing examples from William Shakespeare's "Othello" to illustrate their role in character transformation and narrative climax.
Recognition and reversal are integral components of Aristotle's concept of tragedy, designed to elicit emotions of pity and fear from the audience. Recognition involves moments of realization or enlightenment, where characters become aware of critical information or truths. These moments often lead to a change in their understanding of the world or themselves.
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Reversal, on the other hand, represents a significant shift in a character's beliefs, values, or actions. It is a transformative moment that alters the course of the narrative and typically leads to a tragic outcome.
William Shakespeare's "Othello" provides a rich tapestry of recognitions and reversals throughout the play, with the protagonist Othello undergoing a profound transformation as he navigates a web of deceit and manipulation.
One of the most notable instances of reversal occurs in Act V, Scene II, where Othello kills his wife Desdemona.
At the beginning of the play, Othello's love for Desdemona is unwavering, and he expresses his deep affection upon her arrival in Cyprus. He exclaims, "It gives me wonder great as my content / To see you here before me. O my soul’s joy, / …As hell’s from heaven! If it were now to die, ‘Twere now to be most happy..." (Kennedy and Gioia, II. I. 176-177, 182-183). However, as the plot unfolds, Othello's trust in Desdemona erodes due to the manipulative influence of Iago, his ensign.
At the outset of Act V, Scene I, Othello places immense trust in Iago, praising him as "brave," "honest," and "just" (Kennedy and Gioia, V. I. 32-33). Yet, the revelation of Iago's deceit by Cassio and Emilia in Act V, Scene II, shatters Othello's trust. He begins to doubt Desdemona's fidelity and ultimately decides to kill her, stating, "Yet she must die, else she’ll betray more men. / Put out the light…If I quench thee, thou flaming minister, / I can again thy former light restore..." (Kennedy and Gioia, V. II. 6-9).
The most profound recognition in "Othello" unfolds in Act V, Scene II, when Othello kills Desdemona. Cassio and Emilia appear and expose Iago's malevolent scheme, asserting Desdemona's innocence. It is at this moment that Othello realizes the depth of his error and the extent to which Iago has manipulated him. Othello speaks of the handkerchief he had given to Desdemona as a symbol of their love, leading Emilia to deduce Iago's deception. Emilia exclaims repeatedly, "My husband?" (Kennedy and Gioia, V. II. 145, 152, 156), as she transitions from absolute trust in Iago to the shocking realization of his villainous nature.
Emilia's recognition is further intensified when she comprehends her unwitting role in the tragedy by complying with Iago's request to steal Desdemona's handkerchief (Kennedy and Gioia, V. II. 179-182, 187-189). The revelation of Iago's malicious plot and Emilia's participation in it adds a layer of complexity to the narrative and underscores the devastating consequences of manipulation.
A climactic moment in the play occurs when Othello, Emilia, and the attending visitors and soldiers collectively experience a triple realization. In Act V, Scene II, Emilia's emotional breakdown leads her to reveal the truth to Othello. She confronts him about the handkerchief, and Othello comprehends the extent of Iago's deception, exclaiming, "Villainy, villainy, villainy!" (Kennedy and Gioia, V. II. 197). This moment marks Othello's complete transformation, as he transitions from a state of blind rage to a profound awareness of his grave errors.
Simultaneously, the attending visitors and soldiers, drawn into the unfolding drama by Emilia's revelations, also come to terms with the truth. Othello's murderous actions are seen in a new light, and the realization of Iago's manipulation reverberates through the scene. The audience witnesses the emotional turmoil of these characters as they grapple with the shocking turn of events, highlighting the power of recognition and reversal in evoking empathy and fear.
The ultimate tragedy in "Othello" occurs when Othello, burdened by guilt and remorse for killing his beloved Desdemona based on false accusations, takes his own life. In Act V, Scene II, Othello delivers a poignant speech, lamenting his actions and acknowledging his love for Desdemona. He implores those present not to tarnish his memory but to remember him as a man whose love led to his downfall.
Othello's suicide serves as the final reversal in the play, sealing his tragic fate. His death underscores the profound impact of recognition and reversal on the unfolding tragedy. Othello's transformation from a revered general to a tormented murderer is a testament to the potency of these dramatic elements in eliciting both pity and fear in the audience.
In conclusion, Aristotle's concept of recognition and reversal plays a pivotal role in the development of tragedy within literary narratives. "Othello" by William Shakespeare exemplifies the profound impact of recognition and reversal on character evolution and plot progression. Othello's journey from unwavering love to murderous despair showcases the transformative power of these elements. The play masterfully employs recognition and reversal to elicit a potent emotional response from the audience, culminating in a tragic denouement. Through the lens of "Othello," we gain a deeper appreciation of how recognition and reversal contribute to the enduring power of tragedy in storytelling.
Aristotle's Concept of Recognition and Reversal in Tragedy. (2016, Jun 07). Retrieved from https://studymoose.com/recognition-and-reversal-othello-essay
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