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Nadine Gordimer's "Once Upon a Time" invites readers into a thought-provoking exploration of the repercussions stemming from a family's actions driven by an all-encompassing fear of the outside world. Through the nuanced use of vivid imagery, narrative techniques, and a profound understanding of human psychology, Gordimer artfully portrays the family's descent into paranoia, illuminating the unintended consequences of their desperate attempts to safeguard their sanctuary.
Within this poignant excerpt, Gordimer strategically employs a third-person narrative, allowing readers an intimate glimpse into the innermost thoughts of the family members.
This narrative choice serves as a literary device to unravel the layers of the human psyche, laying bare the reasons behind the family's obsessive need for safety and the extreme measures taken to fortify their home. The deliberate absence of character names contributes to a sense of universality, implying that the story's unfolding events are not isolated but could unfold in the lives of almost anyone.
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Gordimer, through this narrative technique, prompts readers to reflect deeply on the destructive impact of prejudice and the potential ubiquity of its consequences.
Furthermore, the third-person perspective serves as a powerful foreshadowing tool, subtly hinting at the tragic fate awaiting the young boy. Details interwoven into the narrative gain prominence, creating an air of suspense as readers become increasingly aware of the impending tragedy. By withholding the boy's identity initially, Gordimer skillfully sets the stage for a fairy tale turned awry, where the traditional "happily ever after" denouement becomes increasingly elusive, leaving readers emotionally invested in the unraveling narrative.
The structural innovation within the narrative serves as a compelling vehicle for Gordimer to convey her message.
In contrast to conventional fairytales that typically commence with a couple living "happily ever after," Gordimer disrupts this formula. The initial declaration of matrimonial bliss is juxtaposed with the belated introduction of the couple's child, signaling a departure from the norm and foreshadowing an ominous conclusion.
Through this structural reversal, Gordimer skillfully dismantles the idyllic façade, suggesting that the boy will not experience the promised joy associated with fairytales. The deliberate separation of the boy from his parents becomes a potent symbol, foretelling the disruption of familial harmony and the shattering of the fairy tale illusion. The narrative gains depth as readers grapple with the implications of this structural choice, questioning the very essence of conventional storytelling norms.
Gordimer masterfully employs a rich tapestry of imagery and irony to underscore the extreme prejudice harbored by the family and the inevitable repercussions of their biased beliefs. The plaque designed to deter intruders, featuring the "silhouette of a would-be intruder" deliberately masked, ostensibly aims to appear non-racist. However, the irony lies in the fact that the silhouette's darkness already aligns with common racial stereotypes.
As Gordimer unveils the family's discriminatory practices, such as quartering "people of another colour" and barring them from the suburb, the reader is confronted with the absurdity of their actions. The panic expressed by the wife, fearing an invasion by black people, becomes all the more ironic, considering that the community had already enforced racial segregation. This subtle commentary exposes the narrow-mindedness and racial bias prevalent in the community, setting the stage for the calamitous consequences awaiting the family.
Gordimer strategically employs diction to accentuate the absurdity of the family's protective measures. The requirement for anyone attempting to breach the gates and remove the sign to "announce his intentions" introduces a sense of farce. The use of the word "announce" serves to highlight the impracticality of expecting intruders to politely declare their motives.
The irony deepens as the intruder is portrayed as a civilized individual, seemingly willing to follow protocol before breaking in. This linguistic choice serves to underscore the ineffectiveness of the family's security measures, exposing the futility of attempting to shield oneself from determined intruders. The gates, intended as a deterrent, become a symbol of the family's misplaced faith in their ability to control and prevent potential threats, prompting readers to question the very essence of security in a world fraught with uncertainties.
In "Once Upon a Time," Nadine Gordimer transcends the boundaries of a traditional fairy tale, delivering a narrative that goes beyond a simple cautionary tale. Through the intricate interplay of narrative techniques, structural innovation, and a profound exploration of societal biases, Gordimer paints a vivid and multifaceted picture of the consequences of prejudice and the folly of attempting to isolate oneself from an imagined external threat. The story serves as a powerful commentary on the destructive nature of biased beliefs, urging readers to critically reflect on their own preconceptions and the potential ramifications of succumbing to fear and prejudice.
Unveiling Prejudice: Gordimer's Tale of Fear and Consequences. (2016, Apr 20). Retrieved from https://studymoose.com/once-upon-a-time-nadine-gordimer-essay
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