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It is obvious that Michelangelo was precise when developing this sculpture. His sculpture, David, should have been done after studying the human type a lot. The lines he has actually used are extremely natural, and though his figure is rather chiseled, the lines seem extremely gentle. Michelangelo has actually paid unique attention to shape. Every ligament, muscle and bone seems as though it lives. I especially observed the shape of the legs, the back of the knees particularly.
The muscle in the best leg (looking from the back) is protruded, almost as if David is about to stroll. The direction appears really human and natural as well, all other than for David’s hand. It appears to be cocked in a very unnatural position. The fingers on the left hand (looking from the front) are also in an odd position. The sculpture stands more than 14 feet high and Michelangelo has actually done a fantastic job keeping all extremities and the head and body in percentage to one another.
The texture that Michelangelo was able to achieve is incredible. I know from individual experience that it is often extremely challenging to attain the appropriate texture for hair, teeth, etc. however he seems to make it look simple and easy in addition to perfect. The hair looks extremely natural, but the skin is much more intriguing. He has accomplished an even texture, without making the skin appearance fake. The color of the sculpture is gray. I think that the value throughout the sculpture is the exact same, although with the use of lights, this can be altered, offering the sculpture various worths due to shadows.
There is repetition with variation throughout the sculpture. This makes good sense given that many everybody has 2 of each limb, and numerous muscles.
The head seems to be the dominant sight for me. It interests me that Michelangelo could create such a sensible body, but the head needs extra care. Michelangelo paid attention to unity. Everything seems connected. There is consistent shape to the body. The body appears as though everything signs up with together and the unifying link is the torso. The sculpture is made from marble, and has subtle veins of “color”.
In 1501, the city of Florence commissioned Michelangelo to sculpt a statue of David. They had adopted the Biblical figure as their city’s symbol to tell the world, and their neighbors who were constantly fighting with them, that though Florence was a small city, it was fierce and would take on any giant of an enemy who dared to challenge them.
They presented the artist with a banged up, 18 foot block of marble that had laid abandoned in a church work yard for 35 years. Undiscouraged, Michelangelo took on the project. For three years, he etched the marble, bringing forward his own unique vision of the Biblical hero, and creating the epitome of the Renaissance ideal of man in the process.
With only the strengths of his body and his beliefs, David awaits the appearance of his challenger. David’s right hand is disproportionately large to symbolize his courage and physical power. The sculpture is a tense psychological portrait of David before he kills Goliath.
The characteristics that David relies on are completely manifested in him, and in the foundation of Renaissance art and philosophy. Michelangelo has been called the father of the Renaissance because all of his art pays homage to the physical, emotional, and spiritual strengths that each human being possesses.
Michelangelo’s statue of David is now permanently installed at the Galleria Dell’ Accademia in Florence.
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