Beethoven’s Symphony No. 5

Ludwig van Beethoven is a German composer, the predominant musical figure in the transitional period between the Classical and Romantic eras.He was also recognized as one of the greatest composer.Beethoven’s Symphony No. 5 in c minor,op.67, The fifth symphony is consider in that the compelling energy of the entire first movement is obtain from the opening reason of the four notes. Basically Most of the element were derived from this motive. Even the contrary second subject is based upon the chorus summary of the first bars and is accompanied by the motive itself.

The first move was relentlessly aggressive and likewise the third movement also, The development section was not based only on the motive as a whole, but also of the individual parts. The rhythm alone drives the movement repeatedly and makes the rhythm of the instrument flow smooth and nicely in ear . After such an discharge, put the ear and mind long for a break.

The second theme was first presented by the violins, is basically accompanied in the lower strings by the rhythm.

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however, most of the first movement is kind of energy is present, as seen,despite the fact that the second theme is brought out by trumpets and drums. Formally, the third movement is in a movement from a larger work in a minor key.

Therefore , the rhythm of the opening motive moves the music forward and produced a good rhythm. The energetic trio consists of fugal passages beginning in the bass parts.

When one expects to hear a literal repeat of the scherzo, the music returns quietly and slowly and split . Then, in place of an ending, a long and a gradual increase in the loudness, which leads directly into the triumphant C major march which concludes the symphony. Here again, all is not predictable. The opening motive and parts of the scherzo return near the conclusion of the march.

The fourth movement start without a pause from the transition ,then last movement marks the first use of piccolo, contrabassoon, and trombones in a symphony.Instrument used by the orchestra in Beethoven’s Symphony No. 5 in c minor,op.67 were: Piccolo,flutes,clarinet,bassoon,contrabassoon,violin i,ii