Analyzing Directorial Techniques in the Opening Scene of Vertical Limit

Having watched the opening scene to Vertical Limit, it has become apparent that many techniques of directing have been used in a variety of different ways to bring the audience to the edge of their seat during this tense scene where the protagonists are risking their lives. In terms of camera angles, I think this is most effective as it really makes the audience feel as if they are inside the film by the use of close shots. The first time we are introduced to the main protagonist is during a close up shot, shortly after he takes a photograph of an eagle.

Close up shots then cycle between the characters

These close up shots then cycle between the characters which familiarises the audience with the main protagonists so the audience can distinctly tell between them and distinguish that there's a hierarchy.

The audience is also shown the severity of the fall through the use of long shots and zoom outs.

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It is methods like these which enable the audience to see the environment and its dangers from the protagonist's perspective which will provoke suspense from the audience. A Long shot was taken from above the protagonists so it was looking down on them.

This shot is effective as it includes the sheer velocity of the drop in the shot as well as all the protagonists. This too will bring the audience further to the edge of their seat. It is clear that the protagonists are in an isolated place through the use of camera angles as a shot is taken side ways from the protagonists so the audience can see the empty horizon.

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There is no sign of life apart from an eagle which shows there is nothing else to help protect them except their own equipment and skills. They are simply at one with nature as they embark on this huge task to reach the summit.

As well as long shots, close up shots are also effective. This is because the audience can see the absolute fear and concentration on the characters faces which will evoke suspense. Fast paced 'back and forth' editing is also used in conjunction with close shots to catch the facial expressions of each character during dangerous moments. During the intro of Vertical Limit, there are drums being played in the background very dramatically which builds up tension and gives the impression it is building up to something.

Different sound effects

There are numerous different sound effects used in this film. Sound effects are extremely important, especially in the action sequences as they add to the tension and fear. Examples are of cams slipping out the rock, people screaming and safety ropes stretching and tearing under pressure. All these effects are perfect ingredients to bring about anxiety and terror upon the audience. You will notice the way the characters behave at the beginning of the film is rather relaxed and laid back as they are singing and taking photos and cracking jokes.

This is considered strange as they are hundreds of feet up a vertical rock. However, it is this piece of directing which makes the action sequence even more gripping as it is in complete contrast to what is about to happen to them. This will come as more of an impact to the audience because in the space of two minutes, the situation changed from jokes and songs to their life's being places in the hands of one slipping cam which isn't sufficient enough to take the weight of three people.

Various camera angles

Having studied the characters through the use of various camera angles, it is clear there is a hierarchy between the protagonists's. There are two males and one female. Despite the fact females are usually the underdog in action films, it can be said that the female protagonist in this film has been made more acceptable. This is because everyone's life is in her hands as only her cam is supporting her brother and father.

Updated: Apr 29, 2023
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Analyzing Directorial Techniques in the Opening Scene of Vertical Limit. (2020, Jun 02). Retrieved from https://studymoose.com/vertical-limit-2019-new-essay

Analyzing Directorial Techniques in the Opening Scene of Vertical Limit essay
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