To install StudyMoose App tap and then “Add to Home Screen”
Save to my list
Remove from my list
Modernism, an artistic and literary movement emerging in the late 19th and early 20th centuries, marked a decisive break from traditional norms and rules. In the short story, "The Short Happy Life of Francis Macomber," written by Ernest Hemingway, the narrative unfolds against the backdrop of Africa, exploring the clash between man and nature and employing the iceberg method—a hallmark of Modernist literature. This essay aims to delve into the nuanced characterization of Margaret and Francis Macomber, the intriguing dynamics between Francis and the white hunter Robert Wilson, and the profound transformation that shapes the story's conclusion.
Francis Macomber, a man of considerable wealth and stature hailing from England, embarks on a transformative journey to Africa with the aim of proving his masculinity through the pursuit of big game.
The narrative introduces us to his wife, Margaret Macomber, once a well-paid model whose beauty has slightly waned. Their eleven-year marriage is marred by frequent arguments and disagreements, revealing the fragility of their union.
The pivotal moment of Francis discovering Margaret's nocturnal escapades sets the stage for the complexities within their relationship.
Margaret, a once-beautiful woman seeking excitement and confirmation of her allure, finds solace in the company of Robert Wilson, the white hunter accompanying them on their African expedition. Wilson stands as the antithesis to Francis, exuding a rugged and untamed aura. Unlike the refined Macomber, Wilson's appearance is marked by stubby mustaches, sandy hair, and a weather-beaten face—a testament to a life spent in the wild.
His cold blue eyes reflect an inner toughness, and his unpolished demeanor adds a mystique to his character.
Wilson, as the embodiment of a man of nature, operates outside societal norms. His willingness to break the law, such as whipping the staff for disobedience, showcases his detachment from civilization. Living in the wild, he is unbound by societal constraints, a stark contrast to Francis, who initially ventures to Africa to reconnect with his primal instincts and prove his manhood.
Francis Macomber's quest for self-discovery and courage in the African wilderness unfolds against the backdrop of a stark contrast with Robert Wilson. Dressed in safari clothes similar to Wilson's but notably newer, Francis's appearance signifies an attempt to emulate the wild and manly lifestyle. However, his inexperience becomes apparent through his actions, ultimately portraying him as a gentleman out of his element.
Wilson, on the other hand, embodies the daring and skilled professional hunter who thrives in the untamed landscape. His willingness to break laws and make his own rules reflects a character unbridled by societal expectations. The clash between these two characters sets the stage for a profound transformation in Francis's character as he grapples with the challenges of nature.
Francis Macomber, initially arriving in Africa with a sense of entitlement, undergoes a significant metamorphosis as he confronts the harsh realities of the wild. Failing to execute a successful lion hunt, he experiences a profound sense of shame and humiliation. This pivotal moment marks the beginning of his transformation, revealing his vulnerability and inability to seamlessly adapt to the challenges presented by nature.
As the narrative unfolds, Margaret's dissatisfaction with their marriage becomes apparent. In a provocative attempt to incite change in Francis, she engages in intimate acts with Wilson right in front of him. This unsettling dynamic sets the stage for Francis's journey towards a more assertive and fearless version of himself, culminating in the successful shooting of buffalos.
However, the story takes a tragic turn when Margaret, seemingly threatened by her husband's newfound confidence, accidentally shoots him in the head during the buffalo hunt. The once tumultuous relationship between Francis and Wilson transforms into an unexpected acceptance. Margaret, grappling with her husband's evolving character, becomes a central figure in the story's tragic resolution.
As the narrative reaches its conclusion, Margaret's potential motive for the accidental shooting of Francis becomes a subject of speculation. It becomes evident that her husband's newfound confidence and pride pose a threat to their marriage. The possibility that the gunshot was intentional arises, suggesting a desperate attempt by Margaret to prevent Francis from leaving her.
Despite her hysterical cries and apparent remorse, Wilson also suspects her motive. Angered by the abrupt end to Macomber's "Happy Life," Wilson's perspective adds a layer of complexity to the tragic events. The evolving dynamics between the characters—Francis, Margaret, and Wilson—paint a vivid picture of the consequences of societal expectations, pride, and the quest for personal identity.
In conclusion, "The Short Happy Life of Francis Macomber" serves as a compelling exploration of Modernist literature's core themes. The clash between man and nature, the intricate dynamics of human relationships, and the unraveling of characters in the face of societal expectations contribute to the story's profound impact. The transformative journey of Francis Macomber, juxtaposed with the enigmatic figure of Robert Wilson, underscores the complexities of identity and the consequences of pursuing societal ideals.
Theme of Manhood in "The Short Happy Life of Francis Macomber". (2016, Dec 19). Retrieved from https://studymoose.com/the-short-happy-life-of-francis-macomber-essay
👋 Hi! I’m your smart assistant Amy!
Don’t know where to start? Type your requirements and I’ll connect you to an academic expert within 3 minutes.
get help with your assignment