The Creation of Adam by Michelangelo

This artwork was conceived and painted by Michelangelo between 1508 and 1512 (Quint, 2015). The scene is located next to the other piece of art, The creation of Eve'. Historians suggest that the image could have been commissioned by the pope or other wealthy personalities of the time most of who were affiliated to the Catholic Church. They, however, agree that the image could have been inspired by a pre-existing cameo. The image represented the then day politics and religious philosophies of Neo-Platonism (Chandler, 20).

The uniqueness of the art is based on the incredible complexity of its interpretation that stimulates human thought on the subject matter it seems to be about. Although many arts commentators have attempted to interpret the image to a more easer understanding, what the image was exactly meant to communicate is subject to the intelligence of the observer. This way, it has remained as the most precious artwork in Europe.

The image has two dominating parties, a male who has been thought of like Adam and another figure to the higher ladder, who has been suggested to be God.

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Looking at the picture clearly, both Adam and God are stretching to reach to each other, although their hands are not touching. God is seen to be having twelve other figures in his circle of power. This is an image that has always attracted my attention but viewing it and interpreting it only requires more of my time. First, the image shows the cordial and close relationship between man and God, showing how close man is to God in their relationship.

Secondly, the image shows the commitment and love that God has to Adam to the extent that He has stretched his hand to reach out to mankind. Analysts have termed this as the birth of humanity graced by God.

Thirdly, God wears not-royal lobes depicting how reachable God is by Adam. Michelangelo di Lodovico Buonarroti Simoni, simply Michelangelo, is arguably the most treasured artist, painter, and architect in the Renaissance Italy. He lived between 1475- 1564 (Chandler, 2014). The artist was born in Caprese but later moved to Florence where it is alleged, he spent most of his life in. However, other historians dispute his place of residence suggesting that he mostly lived in Rome.

Born from a family of moderate financial means, his mother passed on when he was six years old. Although his father did not seem supportive of his resolve to get in arts, he was apprenticed to Domenico Ghirlandaio who oriented him into professional artistry at the age of thirteen. He would later get into independent arts which were unique on thoughtful composition. These arts endeared him to the wealthy personalities of the time including the pope. He did many images including David, Bacchus, Madonna of Bruges, the torment of St. Anthony among others (August 2017). His images have however been covered by the centuries of smoke despite attempts to clean them in 1976. He died at the age of 88 following a short illness (Quint, 2015). His contemporaries commend his work for their though-provoking effects while trying to explain social issues.