The Life And Achievements Of Mozart, The Classical Composer

Mozart was the most amazing, productive composer of the classical era. Mozart was romantic and showed the ability from his amazing childhood. He was already familiar on keyboard and violin, at the young age of five years old he performed. In his early teens, Mozart was married as a musician at the court and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his position. He chose to stay in the capital. During his final years in Vienna, he composed many of his best known romantic written music, which was largely unfinished at the time of his early death at the age of 35.

The circumstances of his death have been made up. He is among the most popular of classical composers. Beethoven composed his early works when Mozart died.

Mozart was born on January 27, 1756 to Leopold Mozart and Anna Maria. He was the youngest of seven children, five of whoo died while they were babies.

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His older sister was Maria Anna Mozart. Mozart was baptized the day after his birth. He generally called himself Wolfgang Amide Mozart as an adult, but his name still to this day has many meanings.

Mozart was a minor composer and an experienced teacher. He was appointed as fourth violinist in the musical establishment. Four years later, he married Anna Maria in Salzburg. During the year of his son’s birth, he published a violin textbook which achieved success.

While he was very was young, his family made several journeys in which he and Mannerly performed as child prodigies.

He ended up meeting many musicians and made good friends with the works of other composers. A certain significant influence was Johann Christian Bach, who he visited in London while he was there. When he was about seven or eight years old, Mozart wrote his first symphony, most of which was put in writing by his father. The family was often challenging, and travel conditions were ancient. They went through long, near fatal illnesses far from home. The family went to Vienna in late 1760s and remained there until December 1768.

Mozart wrote the opera Mithridate which was performed with success. People loved it. This led to further commissions. He returned with his father to Milan for the composition. Leopold hope that these visits would result in a professional appointment for his son. After finally returning with his father from Italy in early March, Mozart was employed as a court musician by the ruler of where he grew up. The composer had many friends and had the opportunity to work in many music genres. April through December, Mozart developed a great excitement for violin concertos, producing a series of 5 which steadily increased in their musical sophistication. In 1776, he turned his efforts to piano concertos. They were considered by critics to be a breakthrough work. Despite these artistic successes, Mozart increasingly grew discontented with his hometown and doubled his efforts to find a position somewhere else. One reason his salary was very low. The situation got worsened in 1775 when the theatre was closed, especially since the other theatre in Salzburg was only reserved for visitors at the time.

Mozart became great friends with members of the famous orchestra in Mannheim, the best in Europe at the time. He also fell in love with beautiful, Aloysia Weber. She was one of four daughters of a musical family. There were prospects of employment in Mannheim, but they came to nothing and Mozart left Paris on March 14, 1778 to continue his search. One of his letters from Paris hints at a possible post as an organist at Versailles, but Mozart was not interested in that. He fell into debt and took to pawning valuables. Mozart’s mother died on July 3, 1778 after being ill. There has been delays in calling a doctor because of a lack of funds. Mozart stayed with Melchior Grimm after this tragedy.

While Mozart was in Paris, his father was pursuing opportunities of employment for him in Salzburg. With the support of the local nobility, Mozart was offered a post as a court organist and concertmaster. The annual salary was better than his other salary, but he wasn’t too fast to accept this wonderful offer. By that time, relations between Grimm and Mozart had cooled off and Mozart moved out of the house. After he left Paris he played around in Mannheim still hoping to get an appointment outside his hometown. He again talked to the beautiful Alysia, she was now a very successful singer, but she moved on from him and found better things. Mozart finally returned to Salzburg in January and took up his new appointment.

In January early 1770’s, Mozart’s opera Idomeneus premiered with good success in Munich. The following March, Mozart was made to go to Vienna where his employer was attending the celebrations for the accession pf Joseph II to the Austrian throne. Mozart was planning a bigger career even as he continued in the archbishop’s service.

In 1782 and 1783, Mozart became intimately acquainted with the work of Bach and Handel as a result of the influence of Sweeten, who owned many manuscripts of the Baroque masters. Mozart’s study of these scored inspired compositions in Baroque style and later influenced his musical language. Mozart met Haydn in Vienna around 1784, and the two composers became friends. When Haydn visited Vienna, they sometimes played together in an impromptu string quartet. Mozart’s sis quartets dedicated to Haydn date from the period 1782 to 1785 and are judged to be a response to Haydn’s Opus 33 set from 1781.

From 1782 to 1785 Mozart mounted concerts with himself as a soloist, presenting three or four new piano concertos in each season. Since space in the theaters was scarce, he booked unconventional venues. The concerts were very popular, and the concertos he premiered at them are still firm fixtures. The short period of financial success did nothing to soften the hardship he will experience later.

Despite the great success, Mozart did little operatic writing for the next four years. Producing only two unfinished works. Mozart moved away from keyboard writing and began his famous operatic collaboration with the librettist Lorenzo Da Ponte. 1786 saw the successful premier of The Marriage of Figaro in Vienna. Its reception in Prague later in the year was even warmer, and this led to a second collaboration. The two are among Mozart’s most famous works and are mainstays of the opera today. These developments were not witnessed by Mozart’s father, who has died on May 28, 1787.

In December 1787, Mozart finally obtained a steady post under aristocratic patronage. Emperor Joseph II appointed his as his chamber composer, a post that had fallen vacant the previous month on the death of Gluck. It was a part-time appointment, paying just 800 florins per year, and required Mozart only to compose dances for the annual balls in the Preduodenal. The modern income became important to Mozart when his hard times arrived. Court record show that Joseph aimed to keep the esteemed composer from leaving Vienna in chasing of better hope. In 1787, Beethoven spent several weeks in Vienna, hoping to study with Mozart. No one ever said that they met so he could study with Mozart but I believe that Beethoven was a hard worker and tried his best to get with Mozart.

Mozart’s circumstances worsened toward the end. Around 1786 he had ceased to appear frequently in public concerts, and his income shrank. This was a difficult time for musicians in Vienna both the general level of prosperity and the ability of the aristocracy to support music had declined. Mozart began to borrow money, most often from his friend and fellow Mason Michael Patberg. Maynard Solomon and others have suggested that Mozart was suffering from depression, and it seems that his output slowed. Major works of the period include the last three symphonies, and the last of the three Da Ponte operas premiered in 1790.

Mozart’s last year was, until his final illness struck, a time of high productivity-and by some accounts, one of personal recovery. He composed a great deal, including some of his most admired works. Mozart’s financial situation, a source of anxiety in 1790, finally began to improve. Although the evidence is inconclusive, it appears that wealthy patrons in Hungary and Amsterdam pledged annuities to Mozart in return for the occasional composition. He is thought to have benefited from the sale of dance music written in his role as Imperial chamber composer.

Mozart fell ill while in Prague for the September 6, 1791 premier of his opera La Clemenza di Tito, written in that same year on commission for the emperor’s coronation festivities. He continued his professional functions for some time and conducted the premier of the Magic Flute on September 30. His health for worse on November 20, at which point he became bedridden, suffering from swelling, pain, vomiting. Mozart was nursed in his final illness by his wife and her youngest sister and was attended by the family doctor. He was mentally occupied with the task of finishing his Requiem, but the evidence that he dictated passaged to his student Franz is minimal. Mozart died in his home. One of his formal composers was there found in his house at the time. His wife thought that the other composer killed Mozart to take his place in fame and fortune.

Mozart was interred in a common grave, in accordance with contemporary Viennese custom, at the St. Marx Cemetery outside the city in December. If no mourners attended, that too is consistent with Viennese burial customs at the time. The cause of Mozart’s death cannot be known with certainty. Researchers have suggested multiple causes of death, including acute rheumatic fever, streptococcal infection, trichinosis, influenza, mercury poisoning, and a rare kidney ailment. Mozart’s modest funeral did not reflect his standing with the public as a composer. Memorial services in Vienna and Prague were well-attended.

Mozart usually worked long and hard, finishing compositions at a marvelous pace as deadlines approached. He did great things when he was alive. I too loved him as a person, he was a very romantic person. He made music from the heart not his brain, the way he would remember music was remarkable. The way he started out at a young age playing instruments really made him love music even more in my opinion. He made many friends with just how famous his writing was and how famous his songs were, He was proud of everything he did even when times were rough. Even when his father passed away he still wrote a song and it was amazing, watching the movie about him and his life made me learn most of the things about him.

The way he started out, to the way he got famous, he got engaged and then married, the way he was in love with his woman all the way till he died. Everything he ever did came out of his heart not his head. That’s what I love about Mozart. He made music fun to his people when he was alive, there were plays about his music that everyone wanted to see and watch. When he died it was almost a celebration because of how wonderful he did with all of his creations in writing music and memorizing and making the other composers jealous of his work.

The true fame came to Mozart after his death. The name of Mozart has become a symbol of supreme musical talent and creative genius, the unity of beauty and truth of life. Numerous musicians, writers, philosophers and scientists emphasize the intrinsic value of Mozart’s masterpieces and a huge role in the spiritual life of mankind.