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In examining F. Scott Fitzgerald's "The Baby Party" and Chen Rong's "Regarding the Problem of Newborn Piglets in Winter," a common theme of "much ado about nothing" emerges. Both authors weave narratives where characters become entangled in seemingly significant issues that ultimately lead to more troubles than resolutions.
Within Chen Rong's story, the problem at the center of the narrative is a fabrication by Zhang Dingfan, the Secretary. As he whimsically dreams up an issue while "a wind blows up outside," he issues an order that sets off a chain reaction among his subordinates.
These individuals promptly abandon their existing tasks to disseminate the order, ensuring everyone is fully informed about the supposed problems afflicting the piglets. However, the crux of the matter is that the piglets never encounter any issues throughout the entire story. Rong crafts a tale where the troubles are manufactured by the excessive and needless communication among various social classes, creating dramatic conflicts out of thin air.
Fitzgerald's "The Baby Party" delves into the theme of identity, particularly through the lens of Edith's obsession with establishing her child, Ede, as superior.
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This preoccupation is evident in Edith's deliberate tardiness to the baby party and her inappropriate laughter when Ede injures another child. The same theme extends to her husband, John Andros, who finds solace in the continuity of life through his child when grappling with feelings of aging.
The couple's excessive focus on establishing Ede's superiority becomes the catalyst for a major confrontation with the Markey family, resulting in a senseless altercation between John Andros and Joe Markey.
While both stories share the overarching theme of trivial troubles, the authors employ distinct narrative approaches. Chen Rong, in "Regarding the Problem of Newborn Piglets in Winter," utilizes seven different social classes to convey the message, creating troubles through the redundancy of communication. On the contrary, F. Scott Fitzgerald, in "The Baby Party," predominantly explores the theme through the dynamics of two families, the Andros and the Markey, introducing "much ado" through heated arguments and a pointless physical altercation.
Despite the differing narrative structures, both stories lead readers to a consensus that the characters' actions and the troubles they undergo are ultimately inconsequential. The authors, each in their unique way, craft tales that highlight the superficiality of the problems presented, leaving readers with a profound sense of the futility of the characters' endeavors.
In conclusion, the comparative analysis of F. Scott Fitzgerald's "The Baby Party" and Chen Rong's "Regarding the Problem of Newborn Piglets in Winter" reveals a shared theme of much ado about nothing. Both stories expose the absurdity of characters fixating on seemingly significant issues that, in the end, result in more troubles than resolutions. The illusory problems constructed by Zhang Dingfan and the Andros family illuminate the authors' critiques of the triviality inherent in human preoccupations. Through divergent narrative strategies, Fitzgerald and Chen Rong converge on the notion that the troubles faced by their characters are ultimately inconsequential, inviting readers to reflect on the absurdity of placing undue importance on superficial concerns.
Superficial Troubles in "The Baby Party". (2016, Jun 20). Retrieved from https://studymoose.com/the-baby-party-by-f-scott-fitzgerald-essay
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