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In Harper Lee's To Kill A Mockingbird, the author skillfully employs the technique of juxtaposition, particularly through light and dark imagery, to illustrate the stark contrast between good and evil. This literary device enhances the suspenseful and tense mood within the mob scene, creating a vivid portrayal of the underlying tensions in the narrative.
Throughout the mob scene, dark shadows are intricately woven into the thematic fabric, symbolizing the presence of evil and the ominous nature of the mob.
The text states, "shadows became substance as lights revealed solid shapes..." (202). This line not only evokes suspense but also leaves room for the reader's imagination to grapple with the appearance of the mob. Harper Lee intentionally withholds a detailed description of the mob's faces, allowing readers to interpret their expressions independently.
The mention of "dark solid shapes" intensifies the suspense, suggesting an association with malevolence and harmful intent. The absence of distinct physical features heightens the ambiguity surrounding the mob, contributing to the creation of a suspenseful atmosphere.
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The juxtaposition of shadows and light becomes a powerful tool in conveying the tension between good and evil, leaving readers on the edge of their seats.
As the tension escalates in the mob scene, the narrative shifts to Scout, Jem, and Dill deciding to intervene and assist Atticus. "I pushed myself through dark smelly bodies and burst into the circle of light." (203). In this pivotal moment, the innocent Scout navigates through the dark mob, finding herself within a circle of light where Atticus stands.
This physical demarcation between the dark mob and the illuminated space around Atticus serves as a visual representation of the moral barrier between good and evil.
Atticus, positioned as the symbol of morality and justice, guards Tom Robinson within the circle of light, while the mob, represented by "dark smelly bodies," harbors sinister intentions. The stark contrast in opinions, intentions, and even color descriptions reinforces the tense mood, underscoring the inherent conflict between righteousness and malevolence.
The culmination of the mob scene brings a poignant moment as Atticus, Scout, Jem, and Dill leave the dangerous situation. "As they passed under a streetlight, Atticus reached out and massaged Jem’s hair, his one gesture of affection." (207). This gesture serves as a beacon of hope and goodness amid the prevailing darkness. Despite the imminent danger and the failed attempt to disperse the mob, Atticus's display of affection towards Jem reaffirms the enduring presence of light as a symbol of kindness and morality.
Harper Lee strategically includes this moment to emphasize that, even in the face of adversity, compassion and love endure. Atticus's tender gesture becomes a subtle yet powerful reminder that goodness can withstand the darkest of challenges. In conclusion, the juxtaposition of light and dark in To Kill A Mockingbird, particularly in the mob scene, serves as a masterful literary device employed by Harper Lee to craft a moment of tension and suspense, highlighting the perpetual struggle between the forces of good and evil.
The Juxtaposition of Light and Dark in To Kill A Mockingbird. (2016, Sep 29). Retrieved from https://studymoose.com/mob-scene-in-to-kill-a-mockingbird-essay
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