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The poem under examination consists of two stanzas, featuring a rhyme pattern of ababcc dedeff. With a discernible tone of sarcasm and mockery, the verses unfold as a direct dialogue between a Bishop and a group of individuals identified as boys, presumably soldiers, as indicated by the use of double quotations.
In the opening lines, the Bishop initiates a conversation with the soldiers, emphasizing the transformative impact of war on their lives. The semicolon in line 2 prompts a deliberate pause, leading to an elucidation of the reasons behind the anticipated change.
The Bishop contends that the soldiers, having fought for a cause, will undergo a profound transformation, as enumerated in line 4.
The causes for change are manifold, beginning with their role in "the last attack On Anti-Christ" (line 3), signifying their status as survivors who partook in the final assault against the adversary. The term "Anti-Christ" introduces a religious dimension, suggesting a clash of ritual beliefs with the opposing party.
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“ Amazing as always, gave her a week to finish a big assignment and came through way ahead of time. ”
The Bishop, attributing the soldiers' right to procreate to the blood shed by comrades, employs the phrase "new right to breed" (line 5), implying a earned privilege. Additionally, the soldiers are deemed changed because they have "challenged Death and dared him face to face" (line 6), employing personification to portray death as a living entity.
Expanding on the Bishop's perspective, it is essential to delve into the socio-political context of the poem. War, historically, has been a catalyst for societal shifts and individual transformations. The Bishop's proclamation about the soldiers' change is rooted in a belief that the act of confronting an adversary, especially one labeled as the Anti-Christ, bestows upon the soldiers a distinct and honorable status.
The religious undertones indicate a moral dimension to their actions, framing the soldiers as warriors in a divine struggle.
Furthermore, the notion of earning the "new right to breed" introduces a societal perspective on the consequences of war. The Bishop, perhaps representing an authoritative figure, suggests that the sacrifices made by the soldiers in the form of bloodshed grant them a privileged position to propagate the next generation. This perspective aligns with historical narratives where victorious warriors were revered and rewarded with societal privileges.
The personification of Death in line 6 adds a layer of complexity to the Bishop's argument. By daring Death "face to face," the soldiers are portrayed as courageous and fearless. The capitalization of Death invests it with anthropomorphic qualities, emphasizing its role as a formidable adversary. The Bishop's assertion, therefore, attributes the soldiers' transformation not only to physical combat but also to a metaphysical confrontation with mortality.
The second stanza captures the boys' response to the Bishop's assertions. The recurrent use of the term 'boys' raises questions about their actual age or serves as a subtle critique, suggesting they are being patronized despite their experiences in war. The boys concur that the war indeed alters the soldiers, yet their reasons differ significantly from the Bishop's account.
The speaker, employing semicolons to emphasize each reason, points out specific changes experienced by individuals. George, for instance, has lost both legs, and Bill is now blind—irreversible alterations that challenge the notion of a triumphant return. The personalization of the soldiers through the use of their names adds poignancy to the speaker's argument. Sarcasm is evident as the speaker asserts that soldiers are not pawns in a power game; they are individuals with lives profoundly affected by the consequences of war.
Expanding on the boys' rebuttal, it is crucial to explore the psychological and physical toll of war on individual soldiers. The use of semicolons in listing the soldiers' changes indicates a deliberate effort to draw attention to each affliction. George losing both legs and Bill losing his sight are not merely casualties of war; they represent the shattering of dreams and the deprivation of fundamental human faculties.
The choice of naming specific individuals humanizes the soldiers, transforming them from faceless entities into relatable characters. The speaker's insistence that "you will not find one soldier who has not changed" (line 11), emphasized with italics on "some," challenges the Bishop's generalization. The diversity of changes experienced by the soldiers underscores the complexity of their individual journeys, debunking the Bishop's simplistic attribution of transformation to divine will.
The use of "chaps" to refer to fellow soldiers instead of "boys" further emphasizes the speaker's rejection of the patronizing tone. This linguistic choice asserts the soldiers' agency and maturity, contrasting with the Bishop's condescending characterization. The boys, by reclaiming their identity as "chaps," demand recognition as adults who have endured the harsh realities of war.
The Bishop, in response to the boys' contentions, attributes the changes to the mysterious "ways of God" (line 12). The use of an exclamation mark accentuates the Bishop's conviction that God's will, rather than the harsh realities of war, is responsible for the soldiers' transformations.
Delving into the theological aspects introduced by the Bishop, it becomes apparent that the attribution of the soldiers' changes to God's will serves multiple purposes. Firstly, it provides a framework for understanding the inexplicable and often traumatic transformations experienced by the soldiers. By ascribing it to divine intervention, the Bishop offers a sense of order and purpose in the face of seemingly senseless suffering.
Secondly, the exclamation mark at the end of the Bishop's statement underscores the conviction and perhaps frustration in his belief. The acknowledgment that "the ways of God are strange" implies a recognition of the enigmatic nature of divine will. It suggests that even in the face of profound human experiences, there exists a higher power whose intentions may remain beyond human comprehension.
Concluding this theological exploration, it is essential to recognize the enduring impact of war on individuals and societies. The poem, while framed as a conversation between a Bishop and soldiers, serves as a microcosm of broader societal attitudes towards the aftermath of conflict. The attribution of change to divine will or societal reward reflects a tendency to externalize responsibility and grapple with the complex repercussions of war through the lens of faith or societal norms.
Stepping beyond the confines of the poem, it is disheartening to witness society often attributing the consequences of conflict to divine will or religion, evading responsibility for their actions. This reflection is particularly poignant on the 12th anniversary of 9/11, contemplating the innocent lives lost, the countless injured, and the soldiers who sacrificed familial bonds to serve their country.
Expanding on the real-world implications, the human cost of war extends far beyond the battlefield. The mention of 9/11 serves as a stark reminder of the profound impact of terrorist attacks on civilian populations. The loss of innocent lives, the physical and psychological injuries endured by survivors, and the sacrifices made by soldiers underscore the multifaceted nature of war's consequences.
The profound impact of war persists in the form of grief, injuries, and post-traumatic stress, highlighting the inadequacy of conventional remedies. Neither money nor therapy can fully undo the changes wrought by conflict. As we ponder the verses of this poem, it serves as a reminder to acknowledge the human toll of war and to approach its aftermath with compassion and understanding.
War's Impact: A Conversation with Fate. (2016, Apr 16). Retrieved from https://studymoose.com/faith-and-god-in-they-by-siegfried-sassoon-essay
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