Symbolism in Shakespearean Plays: An Exploration of Imagery

William Shakespeare, renowned for his literary prowess, frequently employs symbolism as a powerful literary device to illuminate and deepen the themes of his plays. This essay delves into the nuanced use of symbolism in two of his works, "The Comedy of Errors" and "Titus Andronicus," shedding light on how the Bard masterfully weaves imagery into the fabric of his narratives.

Water Imagery in "The Comedy of Errors"

In "The Comedy of Errors," Shakespeare strategically utilizes water imagery to enhance the thematic resonance of the play.

Water, a versatile symbol, embodies fluidity and unpredictability, mirroring the chaotic and mistaken identity-driven plot. The ebb and flow of water parallel the twists and turns of the characters' fortunes.

An illustrative instance of water imagery occurs in Act 2, Scene 2 Lines 27-28, where Titus Andronicus boasts about the speed of his horse, likening it to swallows flying over the plain. This imagery vividly conveys the rapid and graceful movements of his horse. Similarly, in Act 4, Scene 2 Line 175, Aaron expresses his urgency to reach the Goths, drawing a comparison to the swift flight of a swallow.

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This recurring animal imagery reinforces the themes of speed and eagerness, enriching the play's symbolic tapestry.

Animal Imagery in "Titus Andronicus"

"Titus Andronicus" is replete with animal imagery, a motif that Shakespeare utilizes to underscore the characters' emotions, desires, and actions. In Act 2, Scene 2 Lines 33-37, Aaron, in a fit of anger, compares his desire to kill the King to the relentless nature of an adder seeking its prey. This comparison emphasizes the universality of anger across different species and poignantly captures Aaron's fervent eagerness to eliminate Tamora's dominator.

Further exemplifying the use of animal imagery is Tamora's curse on Bassianus in Act 2, Scene 3 Lines 61-66. Tamora, in a moment of intense emotion, curses Bassianus to transform into an animal, be pursued by a hound, and eventually be killed. The presence of a real hunting scene in the context reinforces the depth of Tamora's vengeful desires. Lines 223-225 depict Bassianus as a slaughtered lamb, emphasizing the cruelty of the act and heightening the emotional impact of the play.

Racial Symbolism in "Titus Andronicus"

In Act 4, Scene 2 Lines 138-142, the birth of Aaron's child becomes a pivotal moment infused with racial symbolism. The child's skin, different from other white infants, symbolizes the racial identity inherited from its black slave father, Aaron. Aaron's reference to himself as a lamb when united with others and a force of nature, including a chafed boar and a mountain lioness, underscores the complexity of his character. As Aaron decides to take his child to the Goths, he must eliminate those who pose a threat to the secret, adding layers of intrigue and tension to the narrative.

In conclusion, Shakespeare's adept use of symbolism elevates the thematic richness of his plays. "The Comedy of Errors" and "Titus Andronicus" showcase how water and animal imagery, as well as racial symbolism, contribute to the intricate tapestry of his narratives. These symbols serve not only as aesthetic embellishments but also as profound tools that deepen the audience's engagement and understanding of the complex themes woven into the fabric of Shakespeare's timeless works.