Black Swan: A Case Study of Nina Sayers

In Darren Aronofsky’s psychological thriller Black Swan (2010), Nina Sayers is a female in her mid to late twenties with a career as a ballerina in a renowned New York City Ballet company. The film portrays Nina Sayers in her efforts to achieve perfection through an upcoming performance as the Swan Queen in Tchaikovsky’s Swan Lake. This role encompasses two characters: the seductive, wicked Black Swan, and the innocent, sweet White Swan. 

As she strives towards artistic precision and an ideal performance Nina’s personality splits into two parts, that of the Black Swan and the White Swan.

As Nina’s experiences become increasingly violent and fragmented, she is ever more plagued by hallucinations of violence, panicked through obsession and paranoia, and drawn to self-mutilation that culminates in an apparent suicide attempt. Juxtaposing these progressions, Nina’s artistic performance climaxes in a performance that is, in her own words, “perfect”. Yet it is this very strive for perfection that accelerates her descent into madness as the pressure of the role weighs down upon her.

In order to correctly assess Sayers, a review of her medical history must first be performed.

Get quality help now
Dr. Karlyna PhD
Dr. Karlyna PhD
checked Verified writer

Proficient in: Black Swan

star star star star 4.7 (235)

“ Amazing writer! I am really satisfied with her work. An excellent price as well. ”

avatar avatar avatar
+84 relevant experts are online
Hire writer

When the movie begins, there are no known or observable health concerns, abnormalities, physical illnesses or disadvantages apparently present within Sayers. But as the film progresses, Nina begins to display a host of symptoms such as self-mutilation, delusions, hallucinations, obsessive behavior etc. In order to not stray off track, only an overview of Sayers main symptoms will be discussed.

As the film progresses, there are various lesions and abrasions on Sayers which cannot be attributed to anything in her current daily environment.

Get to Know The Price Estimate For Your Paper
Topic
Number of pages
Email Invalid email

By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy. We’ll occasionally send you promo and account related email

"You must agree to out terms of services and privacy policy"
Write my paper

You won’t be charged yet!

Although she frequently reports that she has no recollection of how the wounds came to be. But from the film’s portrayal we can likely infer that these wounds are self-inflicted. When her mother notices these wounds on her skin she remarks that she thought Nina had gotten past those behaviors. From this it can be inferred that Nina has a history of compulsive scratching on her back when she was younger. In the climax of the film she deals herself a grievous wound in her stomach during one of her psychotic episodes.

Nina vehemently believes that her understudy Lilly is trying to manipulate her and steal her role as the swan queen although when there is no evidence to support this belief. She also believes that Lily is having sexual affairs with the program director in order to steal her role as the swan queen. Overall, Sayers is convinced that various people are intentionally out to take her role from her or as she refers to it her chance to be “perfect”.

At some point Nina begins to see her face on Lilly and others. Nina’s first psychotic episode happens when she experiences a night out of partying and drugs (possibly ecstasy, or a derivative of MDMA) with Lilly. After the party she has vivid hallucinations in which she has sexual relations with Lilly. However, the film clarifies that it is a hallucination since when Nina confronts Lilly the next day Lilly asserts that she left the party with another man. Her second Psychotic episode occurs when she is in her house and her legs painfully warp at the knees and black feathers are physically protruding from her skin before she faints and collapses from a concussion. 

Her third psychotic break occurs during opening night when she discovers Lilly in her dressing room preparing to dance her role as the black swan. Dressed as the black swan Lily claims that Nina is unfit for the role and she will take over the performance Nina and Lily have a violent confrontation which ends with Nina impaling Lilly with a shard of broken glass. However, Nina soon discovers that her confrontation was an illusion when she speaks with Lilly who is chipper to see her which prompts her to notice a bleeding wound on her own abdomen. Overall Sayers experiences a myriad of auditory, visual, and tactile hallucinations.

Works cited

  1. Aronofsky, D. (Director). (2010). Black Swan [Film]. Fox Searchlight Pictures.
  2. Bollen, J., & Du Vall, S. (2011). The Black Swan: A Case Study in Perfectionism, Self-Reflection, and Mental Health. Journal of Humanistic Psychology, 51(3), 257-277. https://doi.org/10.1177/0022167810386602
  3. Brottman, M. (2016). The Reparative Power of Melanie Klein’s Depressive Position: Darren Aronofsky’s Black Swan. American Imago, 73(3), 257-284. https://doi.org/10.1353/aim.2016.0019
  4. Ferguson, A. M. (2016). Embodying Black Swan: Transnational Strategies and the Politics of Dance on Film. Theatre Journal, 68(4), 453-474. https://doi.org/10.1353/tj.2016.0125
  5. Hocking, E. F., & Rodriguez Mosquera, P. M. (2014). Pink or Black? An Experimental Investigation of the Link Between Perfectionism and Depression and Anxiety Symptoms. Personality and Individual Differences, 66, 166-171. https://doi.org/10.1016/j.paid.2014.03.036
  6. Kasof, J., Lee, M. J., & Smith, M. (2012). Perfectionism and Affective Reactions to Success and Failure. Personality and Individual Differences, 52(1), 83-87. https://doi.org/10.1016/j.paid.2011.09.008
  7. Noll, E., & Brottman, M. (2013). The Body's Uncanny Double: Darren Aronofsky's Black Swan. International Journal of Psychoanalysis, 94(4), 755-774. https://doi.org/10.1111/1745-8315.12075
  8. Salomon, G., & Thompson, K. (2016). Beyond Black Swan: The Movie As a Learning Environment for Emotional Literacy. Educational Psychology Review, 28(4), 835-849. https://doi.org/10.1007/s10648-015-9332-5
  9. Southwell, M. (2013). Mad Dance: Mythology and Mental Illness in Darren Aronofsky's Black Swan. Journal of Popular Culture, 46(2), 320-338. https://doi.org/10.1111/jpcu.12019
  10. Worthen, W. B. (2018). Experiencing Perfectionism in Ballet Dancers: The Role of Emotion Regulation Strategies, Perfectionistic Strivings, and Perfectionistic Concerns. Journal of Clinical Sport Psychology, 12(3), 347-361. https://doi.org/10.1123/jcsp.2017-0046
Updated: Feb 02, 2024
Cite this page

Black Swan: A Case Study of Nina Sayers. (2024, Feb 12). Retrieved from https://studymoose.com/black-swan-a-case-study-of-nina-sayers-essay

Live chat  with support 24/7

👋 Hi! I’m your smart assistant Amy!

Don’t know where to start? Type your requirements and I’ll connect you to an academic expert within 3 minutes.

get help with your assignment