Analysis of Troy: Film

Categories: Troy

The story takes place in the fertile, eastern lands bordered by the Mediterranean Sea and kept by the gods. Within the cradle of ancient civilization empires are built, wars fought, alliances forged, and heroes born.

Agamemnon, king of Mycenae, has united most of Greece’s kingdoms under his rule and now advances his army upon the nation of Thessaly, hoping to include it in his collection of ever-growing conquests. King Triopas bargains with Agamemnon to each let one of their best fighters decide who wins the battle rather than engaging in open war.

Triopas calls upon the giant Boagrius while Agamemnon calls to Achilles, but the legendary warrior is nowhere to be found. A messenger boy is sent to fetch him and Agamemnon curses the stubborn nature of the fiercest warrior Greece has ever seen. A half-god and blessed with incomparable strength and skill, Achilles lives to fight but he refuses to associate with Agamemnon, preferring instead to seek his own destiny and be immortalized in history.

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Achilles easily defeats Boagrius, sealing Agamemnon’s control over the nation, and calls out if there is anyone else worthy enough to fight him.

Meanwhile, Princes Hector and Paris of Troy feast in the banquet hall of King Menelaus of Sparta as honored guests and peace ambassadors to their home nation. However, young Paris sneaks away to be with Menelaus’ beautiful wife, Helen whom he loves dearly. He convinces her to come back with him to Troy, stowing her away on his brother’s ship.

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When Hector finds out he is clearly angry but it is too late to return to Sparta with Helen and seek pardon. Finding Helen gone, Menelaus vows revenge on Troy and seeks the approval of his brother, Agamemnon, who is only too happy to oblige, though Agamemnon’s decision comes mostly from his desire to sack Troy.

Odysseus, king of Ithaca and under command of Agamemnon, goes to convince Achilles to accompany them in the conquest of Troy. He finds him sparring with his young cousin, Patroclus who is more than eager to join in the fighting. But Achilles refuses to go, despite Odysseus’ assurance that this war will go down into history. Achilles later seeks advice from his mother, the sea nymph Thetis who is gathering shells to make a new necklace for him. She tells him that if he chooses to stay home he will find a wife, raise a family, and die old and loved. If he goes to Troy, he will find his eternal glory and history will remember his name for thousands of years. However, should he go to Troy, he is doomed to die and will never return.

Meanwhile, Hector and Paris return to Troy with Helen, greeted warmly by their fellow Trojans. The city is guarded by a high, thick wall that has remained impenetrable since its founding. They meet their father, King Priam who welcomes Helen and praises her beauty. Hector is reunited with his wife, Andromache and his infant son.

Achilles decides to join Agamemnon’s campaign against Troy but brings his own warriors, the Myrmidons, led by Eudorus. Patroclus accompanies them as well. The Myrmidons prove to be faster rowers than the Greeks and arrive on the shores of Troy before anyone else, though Achilles tells Patroclus to stay and watch the ship. They take the beach with ease and sack the Temple of Apollo where priestess and cousin of Hector and Paris, Briseis is taken captive. In a defiant move, Achilles decapitates the statue of Apollo. Prince Hector leads an offensive to keep the Greeks at bay and runs into the temple where Achilles confronts him but refuses to fight him. Achilles explains that their fight would be suited best in front of an audience and he allows Hector to leave.

Briseis is brought to Achilles’ hut as his prize. She berates him for killing priests of Apollo before he is summoned to see Agamemnon who is preparing to celebrate the victory. There, tensions rise as Achilles and the king argue over claims to the victory. Agamemnon goes further by bringing in Briseis, claiming her as his own spoil of war, which drives Achilles into a rage. He threatens to fight for her but she angrily interjects, saying that no one else will die for her. Achilles stays his blade, to the surprise of Agamemnon. Achilles vows that Agamemnon will one day fall under his sword.

That night, Priam seeks the advice of his advisors and elders with his sons in attendance, discussing how best to defend against the Greeks. Paris offers an alternative to bloodshed; he will fight Menelaus for Helen’s hand. The winner will take her home and the loser will burn before nightfall. Later, Priam speaks with Paris in a courtyard and admits that, in all the wars hes fought for power or land, a war fought for love makes more sense. He gives Paris the Sword of Troy, forged at its founding and containing the history of their nation. He explains that as long as a Trojan wields it there is hope for their people.

Hector goes to see his wife and son. She fears for his life and can’t imagine living on without him. He comforts her before getting up to see his brother. In the halls, he sees a cloaked figure and gives pursuit to find that it’s Helen trying to leave the city. She is remorseful for being the sole reason so many Trojan men died that day but Hector tells her that returning to Menelaus will not end the war and that she is a princess of Troy now. Helen returns to Paris.

The next day, Agamemnon’s army marches for Troy while Achilles, still seething over his loss of Briseis, watches from a nearby hill with his men. Hector and Paris ride out to meet Agamemnon and Menelaus before battle. Agamemnon demands that the Trojans return Helen to his brother and submit to his rule. Hector bravely rebuffs but Paris offers to fight Menelaus one-on-one, hoping that will settle the dispute. While Agamemnon could care less about returning Helen to his brother, he allows Menelaus the opportunity to issue revenge. The two begin their fight and Menelaus is clearly stronger. Paris is wounded and disarmed but, before Menelaus can deliver a death blow, ducks away and crawls back to his brother. Stunned at his cowardice, Menelaus demands the fight to continue but Hector defends his brother and drives his sword through Menelaus, killing him. Enraged, Agamemnon charges forward with his army.

Watching from his hilltop, Achilles can’t help but curse under his breath at Agamemnon’s inability to keep his ranks in formation. Hector proves to be the more able warrior and overpowers the Greeks with his tactics. One of the strongest Greek warriors, Ajax is felled by Hector. Odysseus advises Agamemnon to fall back before he loses his entire army and the Greeks retreat to the beach where their archers provide defense.

With Menelaus dead, the main reason for the assault on Troy is gone and Agamemnon struggles to think of a way to rally the troops to his cause. Odysseus suggests that Agamemnon put his reservations aside and enlist Achilles to fight again. Outside, Briseis is tossed around between Greek soldiers, having been given to them by Agamemnon. Before she can be cruelly branded, Achilles steps in and takes her back to his hut. He gives her a wet cloth to clean with and some food. When she questions why he fights and defies the gods, he shows her a more reflective side to his nature and explains that the gods are jealous of men for their short, mortal lives. As such, everything is more beautiful.

Priam consults with his advisors again while Paris laments over his cowardice. Helen assures him that, though Menelaus was a strong warrior, she hated her life with him. She’d rather have someone to love and grow old with than to see him die on the battlefield. Hector advises his father that the Greeks underestimated Trojan strength and that they should not do the same. However, General Glaucus wants to strike preemptively and High Priest Archeptolemus claims Troy is favored by the gods, citing bird omens. Despite Hector’s warnings to keep behind their walls, Priam favors his advisors and issues an attack before daybreak.

As Achilles sleeps that night, Briseis takes a dagger and holds it to his throat. Without opening his eyes, he encourages her to kill him but she hesitates. They realize their feelings for each other and make love. Achilles decides that he’s had enough of war and offers to take Briseis away from Troy. Afterwards, he speaks with Eudorus and tells him that they will go home. Hearing this, Patroclus is devastated, having hoped to take part in battle. Achilles returns to his hut.

Just as dawn approaches, the Trojan army, led by Hector, set up on the dunes and sent hundreds of lit arrows into the sand. The Greeks awake in time to see large balls of hay being rolled down the hill towards camp, ignited in huge fireballs by the torched arrows. Banging their shields to intimidate, the Trojans advance towards the Greek camp. Suddenly, Achilles appears in his armor and rallies the troops to fight. Achilles fights his way towards Hector and the two engage in combat. Greeks and Trojans alike surround them, edging them on, until Hector slits Achilles’ throat with a swift thrust of the sword. Achilles falls, gasping for breath, while the Myrmidons look on in horror. But when Hector removes his helmet, he discovers that the man he wounded is not Achilles; its Patroclus. Hector, repentant but resolute, drives his sword into the boy’s chest to finish him. He addresses Odysseus and tells him they’ve fought enough that day. Before leaving, Odysseus tells Hector that Patroclus was Achilles’ cousin.

The Myrmidons return to camp as Achilles emerges from his tent. Seeing them battle-worn, he asks why they disobeyed him. Eudorus laments that Patroclus disguised himself in Achilles’ armor, even moved like him, and fell under Hector. Achilles is outraged and attacks Eudorus. Briseis tries to stop him but he throws her to the ground.

Hector returns to his wife. He admits that he killed a boy who was much too young and feels that his actions will have severe repercussions. He shows his wife a hidden passage under Troy that she can take civilians through to get to the mountains should he die and the walls be breached. Though she is upset to have to consider this, she heeds his advice.

Achilles puts his cousin on a funeral pyre and sets it alight. Agamemnon watches and says, “That boy may have just saved the war for us,” knowing that the rage of Achilles will not wane until he’s had revenge. Meanwhile, Helen watches as Paris practices his archery in preparation for battle, hitting his target time and again.

The following morning, Achilles sets off to enact vengeance upon Hector. Briseis begs him not to go, but he ignores her. He rides to the gates of Troy and calls for Hector who dresses in his armor and says goodbye to his wife. He meets Achilles outside alone. Achilles throws down his helmet so that Hector can see his face. Though Hector tries to reason, Achilles is bent on bloodlust. As they begin to fight, Priam and Paris watch while Helen comforts Andromache who can’t bring herself to look. Achilles overpowers Hector by driving his spear into his chest before finishing him with his sword. He then ties Hector’s legs together behind his chariot and drags him away, back to the beach. When he returns to his hut, Briseis cries out and asks when the killing will stop before leaving.

That night, Achilles is visited by a stranger in a cloak. The stranger kisses Achilles’ hand before revealing himself as none other than King Priam. Having stealthily entered the Greek camp unnoticed, Priam begs for his son’s body back to be given a proper burial. He tells Achilles that, while Hector killed his cousin, he did not know who it was and he asks Achilles how many cousins and brothers he’s killed in his time. Despite being enemies, he asks for respect. Achilles relents. He weeps over Hector’s body, promising to meet him in the next life, before giving him to Priam. When Briseis comes forward, Achilles allows her to go home and apologizes for hurting her. He gives Priam his word that the Greeks will not attack Troy for 12 days to allot for proper mourning.

When Agamemnon hears of Achilles’ secret treaty with Priam, he becomes incensed. But Odysseus, who notices the sculpture of a horse a fellow soldier has made for his son, proposes a plan, putting the 12 days of mourning to their advantage.

After 12 days, the Trojans discover that the beach has been abandoned and various bodies lie in the sand. They appear to have been taken by disease and, where the heart of the camp once was, a large wooden horse has been erected. Upon seeing this, Priam is advised that the horse was left as a gift to the god Poseidon and is encouraged to bring it back to Troy. Paris, who is suspicious, urges his father to burn the horse, but Priam brings the horse into the city where its revered as a sign of the end of the war. A Trojan scout, hiking through the cliffs outside the city, comes upon a cove apart from the main beach and discovers the Greek armada hiding there. However, he is killed by arrow before he can warn the rest of Troy.

Meanwhile, the whole city celebrates into the night. Once everything has quieted down, the horse opens and Achilles, Odysseus, and a mass of Greek soldiers emerge from inside and open Troy’s gates where the rest of the Greek army has gathered. They quickly infiltrate the city, pillaging and burning homes and killing any Trojan who stands in their way while a tearful Priam can only watch. Soldiers of Troy attempt to defend the royal palace, but fail. As Priam prays before the statue of Apollo and asks why he’s been forsaken, Agamemnon comes up behind him and stabs him in the back. Achilles, meanwhile, searches the city for Briseis.

Paris and Andromache lead surviving civilians down to the secret passage where Paris gives a young boy, Aeneas (a progenitor of the Romans), the Sword of Troy, reciting what his father told him. He then returns with his bow and arrow to help fight.

Briseis is praying before a statue of Apollo when she is grabbed from behind by Agamemnon. Achilles sees this and runs to her aid. Agamemnon tells Briseis his intent to take her back to Greece as his slave before she takes a concealed knife and fatally stabs him in the neck. His guards accost her but Achilles kills them. As he is helping her up, Paris arrives and shoots an arrow through Achilles’ heel. Standing up to face Paris, despite Briseis’ cries, Achilles is shot again through the chest. He removes the arrow only to be shot again and again, each time removing the arrow. He finally collapses and tells Briseis that she was his peace in a lifetime of war and urges her to escape. Briseis goes with Paris and they leave as the Greeks arrive at the palace to find Achilles dead, seemingly taken by a single shot to the heel (thus perpetuating the myth surrounding his death).

Achilles’ body is burned honorably on a funeral pyre within the ruins of Troy the following day as Odysseus watches and exalts, “If they ever tell my story, let them say I walked with giants. Men rise and fall like the winter wheat, but these names will never die. Let them say I lived in the time of Hector, tamer of horses. Let them say I lived in the time of Achilles.”

Conclusion:

The movie Troy ended with Odysseus burning Achilles in a funeral pyre. Achilles died at the end of the Trojan War and is a hero after saving Briseis.

Analysis:

Based on what I’ve research, Troy is an adaptation of the poem written by Homer it is also known as The Iliad and The screenplay was written by David Benioff and stars who were Brad Pitt, Eric Bana, Orlando Bloom, Brian Cox, Diane Kruger and Rose Byrne. The Importance of this film is in regards to the City of Troy, the alliances of the Greeks, and the reason behind the war itself. It was made to capture the imagination of Homer and his poems. The actors were chosen and represented through his eyes, yet embellished a great deal for entertainment purposes. Which it was enjoyable to watch, I found it somewhat inaccurate with questions unanswered.

While there may also be evidence to support much of what Homer wrote about, the movie in itself creates a different illusion. The time, places, and people were either out of date nor not even involved in some cases. However, the actors portrayed what Homer described perfectly. Achilles was very strong and considered immortal, Hector was the bravest and modest leader of Troy under the Rule of Priam. Helen was extremely magnificently beautiful while Paris was naïve and weak. All of the characters involved had important roles whose actions were caused of many important events. However, if you relate back to Homer and back of what historians have discovered, the movie wasn’t accurate representation.

Overall how good is the movie troy?

Troy is the adaptation of Homer’s famous novels The Iliad and The Odyssey, and follows the backlash after Paris, the prince of Troy, steals Helen from Menelaus, the king of Sparta. Menelaus asks his brother to go to war with him, for Menelaus it’s to take back his dignity, and for Agamemnon it’s a chance to expand his Greek kingdom. With them, they bring one thousand ships and fifty thousand soldiers, including Achilles, the famous, nearly immortal Greek soldier whose only goal is immortality through glory. Paris’ brother, Hector, the leader of the Trojan army, decides to protect him and takes Troy to war against the outnumbering Greeks.

This is the greatest story that’s ever been told, and now it’s one of the most epic films that have ever been made. I don’t know if there’s been a movie attempted on this scale, not in terms of budget or cast, but in terms of greatness. Troy brings together an ideal director, a perfect cast (even down to the striking resemblance of Bloom and Bana who play Paris and Hector, brothers), a story that’s known and loved by anyone who’s been to school, and some of the best special effects and cinematography I’ve ever seen. Wolfgang Petersen knows how to direct an epic film, and now Troy makes him the undisputed king of epics.

Troy is one of the most impressive looking films I’ve ever seen. It was filmed in Mexico with about five hundred extras, which makes how authentic it looks even grander. Troy has two distinct tones; it’s a love story between Paris and Helen (as well as Achilles and Briseis) and a war story. Petersen takes a movie that is so clearly multidimensional, and combines the different stories flawlessly. Troy really succeeded at entertaining me, and truly curiosity about the time period. In fact, I’d go as far as to say Troy is the best war movie I’ve ever seen.

Most war movies, even the good ones, cut so quickly and are so overwhelmed by the scale that you lose focus of individual characters and are just watching people die. Troy keeps it personal, but with magnificent cinematography and special effects, the scale of the battles isn’t understated. In addition, Hector is surly portrayed as we saw him in the excerpt from Homer included in our text in the movie Troy. Is Troy historically accurate? Troy is the Trojan War for the ADD generation; it sticks to the story enough to not infuriate the historical minded people, and entertains more than it educates.

Intrigued by the movie I searched thru the net and found out that is no evidence exists in history to prove the war of Troy and the subsequent demolition of the city as written by Homer in Iliad. Was everyone involved in the Trojan War so darn good looking? No, but that’s only the beginning. One of the most noticeable differences between the book and the movie is the absence of the Gods. In Homer’s Iliad, the Gods played a major part in the Trojan War. (The Iliad of Homer pgs. 78-83) Though the viewers are made aware that the characters believe in the Gods, the only God we see in the movie is Thetis, Achilles’ mother.

The omission of the Gods from the movie may give the audience a chance to view the characters more believable, however by omitting the Gods, the viewer did not get the full history of the characters. The Greek Gods are barely mentioned, the war seems to take two weeks as opposed to ten years, and so much liberty is taken with dubbing the Greeks as the bad guys to the heroic and loving Trojans. Halfway through the movie, you’ll find yourself saying, “Too bad I know who wins, because I’m really rooting for the Trojans!

” The movie does not follow the Iliad which is what it was very loosely based on, but scholars don’t believe Homer’s works to be 100% accurate. This film is not historically accurate, but is very loosely based on a legend. Whether that legend is based on anything that actually happened is anyone’s guess. Like the legend of “King Arthur”, there is probably a kernel of truth behind it. But this film does not accurately follow the legend. There are many large differences. In the film, most of the main characters are killed, but in the legend, they mostly survive.

(http://www. timelessmyths. com/classical/trojanwar. html) Also, it was not convenient to adhere to the clothing of that era of Greek history. (http://www. timelessmyths. com/classical/trojanwar. html) The actual clothing of that era covered up the men too much, so more skimpy attire was invented to please the female movie goers. The idea of men fighting and dying for a woman also appeals to female vanity. Hollywood’s hunks were put through months of rigorous muscle building work-outs and then put in revealing costumes to please the women.

Action, adventure, and half-decent special effects were thrown in to please the male audience. There is something for everybody, so long as everyone realizes that Troy is entertainment not education. The gods are always interfering is just about anything that going on, starting from the very reason the whole war takes place, every major event in the battle, and its ultimate conclusion. (The Iliad of Homer pg. 186) The men in the story don’t always see all the interference that’s going on, but it’s quite obvious to the reader.

And even if they don’t see much, they do see plenty. The main difference between Troy and the Trojan War was the lack of involvement of the gods which were more important to the Greeks than the story of the people. In the movie adaptation ‘Troy’, the gods are all but absent. Things happen or don’t and are credited to the gods, but they are simply not real characters in that story. (The Iliad of Homer pg. 184) Without the direct interplay of the gods it’s as if half of the plot is sheared off, and some of the events that occur make little sense.

A few things in the movie Troy were actually slightly historically accurate, but not enough to make the movie completely historically accurate. Sometime before 1100 B. C. the supposed date of TROY; there was a group called the Celtics that lived in Africa and the Middle East. They started moving north after the collapse of the Egyptian empire and before Rome. They settled in northern Europe and would remain there as Rome began to take over. Around 1100 B. C. they brought about the Bronze Age, and would soon discover tin would help their technology.

The problem was that there were few mines in their part of Europe and a large amount in a land called TROAD (hence Troy). In addition, the Celts went to the Troads in the city of Ilium which was also the capitol by the same name as in the movie) asking for access to the mines and the tin. The Troads refused access. The Celts demanding access began raising a very large mercenary army out of parts of unoccupied Europe (what wasn’t roman by then), and the Troads did the same with what they could get to. (http://www. timelessmyths. com/classical/trojanwar. html)

On the coast of Spain, even to this day, is a city that in English is translated into Ithaca (don’t know where). Ithaca in “The Iliad” is where Odysseus and his army launched from their massive fleet. It is believed they set sail for a place on what is now known as England. Through research the place where Troad once existed, is now called Cornwall. It would go on to say that the Odyssey took place in the Atlantic. (The Iliad of Homer pg. 189) As far as acting goes, I was pleasantly surprised by the trio of cover boys, especially Eric Bana whose performance I believe to be awarded worthy.

Casting the face that launched a thousand ships couldn’t have been easy, but in Diane Kruger they found not only a pretty face, but an unfound talent. Although her German accent is more evident than one would have preferred, she captures the conflict between guilt and love that her character feels almost as well as Petersen captures her beauty. As a result Troy is a movie that can keep its audience entertained for a couple of hours without pretending to be a scholarly reinterpretation of the Iliad. In fact it manages to exist as the exact opposite of Homer’s Iliad.

Where the original revolves around the complexity of its characters, Troy the movie manages to present each protagonist as a sketchy cartoon, and where the Iliad elevates conflict and values on a universal level, Troy the movie trivializes even the most compelling of human values. The film portrays Greek values as we learned that Homer portrayed them, particularly through the character of Achilles While there are a few anti-war lines, mostly uttered by the women in the film, the values reflect a warrior ethic of courage and loyalty to Nation, which for both Trojans and Greeks means loyalty to family and race.

( Western Civilization pg. 55) Achilles represents a warrior who is independent and will take no orders from any man, especially the detested King Agamemnon, but in the end shows he will lay down his life for his people. Achilles does not glorify or glamorize war, but he recognizes that wars are something that will always be fought. No pleas for universal brotherhood or any other kind of Jew-promoted universalism here. I always pictured Trojans as brutes and little feeling.

The movie showed me different. In the movie Troy the Trojans, simply put, are depicted as beautiful losers who went on to found the Roman Empire. Alexander himself was not portrayed as much of a hero that the audience wants to see. Instead, he’s portrayed merely as an indecisive, sexually confused, big kid who is suddenly thrust into power and who wants adventure, so he leads his distrusting army across the globe for no other reason than to quench Alexander’s weird obsession.The particular movie Troy/DVD I rented did not have any previews of other films at the beginning of the film.

Works Cited Pope, Alexander, Trans. The Iliad of Homer. In Homer in English. Ed. George Steiner. London: Penguin Books, 1996. Joe: Timeless Myths: Classical Mythology. 19 April 1999. Weser, New York. ; http://www. timelessmyths. com/classical/trojanwar. html;. Lattimore, Richmond, trans. The Iliad of Homer. Chicago: University of Chicago Press, 1951. Spielvogel, Jackson. Western Civilization. United States Thomas Learning, Inc. 2006.

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Analysis of Troy: Film. (2016, May 08). Retrieved from https://studymoose.com/analysis-of-troy-film-essay

Analysis of Troy: Film

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