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Because the annual Fifties sci-fi movies have actually portrayed robotics as really advanced devices developed by human beings to perform intricate operations, to deal with humans in safe vital objectives, in hostile environments, or regularly to pilot and control spaceships in galactic travels. At the very same time, however, smart robots have also been portrayed as unsafe makers, efficient in working versus man through wicked plans. In the Terminator the view of the future is a lot more disastrous: robotics will become intelligent and self-aware and will take control of the mankind.
The double implication often certified to science fiction robotics represents the clear look of desire and fear that male has towards his technology. From one hand, in reality, male tasks in a robotic his wild desire of immortality, keeps in an effective and indestructible artificial being, which intellective, sensory, and motor abilities are far more enhanced than that of a typical male. On the other hand, nevertheless, there is a worry that a too sophisticated technology can leave control, acting versus guy.
The Terminator legend is not simply a collection of Terminator, and T2. Instead the saga is one of a continuing storyline that in many methods has actually spanned all of guy’s existence. Devices and innovation have actually constantly presented short-lived modification and difficulty for guy to get rid of. A maker might streamline a process however remove the livelihood of a couple of. From the days of horse drawn carriage drivers fearing being changed by a crucial turned automobile, to today’s computer managed manufacturing environments; workers have constantly feared of being changed by “maker”.
The strength of the Terminator movies is the singular humanoid T-800 Terminators one of which is played by Arnold Schwarzenegger. Clothed in armor, with the human body’s shape and form, it presents itself as a new evolutionary form of life. Strength, easy coordination with other units, and an absolute sense of duty, drive the units forth to destroy man. From their humanoid skeletal structure and hands to their glaring red eyes, the machines scare viewers more for their similarity to man than for their differences. To be replaced, to be bettered, to be conquered these are the things which drive animals to the point of extinction. These elements are the primal fears that the terminator machines strike in the human mind
As Humanity progresses, warfare has tended to move more and more away from the human combatants. Instead the battles have moved to the weapons or “machines” that each side uses. In the Terminator movies America extends this principal even further as humanoid machines and automated patrol crafts are used as the backbone of its defense forces. A vast computer network known as Skynet is created to coordinate battlefield tactics. It is decided to place these “objective” machines in charge of nuclear weapons deployment as human leaders believe that humans could act with hast or with lack of reason in such important decisions. However as time progresses the computer network Skynet becomes “self aware” and sees the possibility of a new evolutionary age and the birth of a new order of intelligence; that of the machine.
In the movie, Terminator represents the prototype of imaginary robots. He can walk, talk, perceive and behave like a human being. But, what is more important, Terminator can learn! He is controlled by a neural-net processor, a computer that can modify its behavior based on past experience. What makes the movie more interesting, from a philosophical point of view, is that such a neural processor is so complex that it begins to learn at an alarming rate and, after a while, it becomes self-aware! In this sense, the movie raises an important question about artificial consciousness: Can a machine ever become self-aware? To answer my own question: not yet, at least.
At the end of T2, after a series of action-packed scenes, which would have deprived any human of life or limb, both terminators are dissolved together in their own industrial melting pot. This ending may say something about the modern combination of old and new technologies in the cinema, as it does about the integration of old and new modes of production in industry. But it also seems to me, that the days of the unthinking means of cinematic portrayal, like the traditional factory and its job-classified worker and their similar forms of representation, may be numbered.
The Terminator. Dir. James Cameron. Perf. Arnold Schwarzenegger, Michael Biehn,
Linda Hamilton, Paul Winfield. Artisan, 1984.
Terminator 2: Judgment Day. Dir. James Cameron. Perf. Arnold Schwarzenegger, Linda
Hamilton, Edward Furlong, Robert Patrick. Artisan, 1991.
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