The gulling scene of Benedict is Shakespeare’s expedition of trickery and deception. The method in which deception and disorder exist in the scene leads to the comedy through Benedicts overemphasized reaction physically and in facial expression in addition to in the entire scene we are in on the joke. The only factor for the deceptiveness in the scene settling is because of the three antagonists making it really convincing this is the fact.
When, the gulling scene is very first provided between the villain functions of Leonato, Claudio and Don Pedro, we as an audience can see the bait that is set out to the vulnerable Benedict.
This is apparent when Leonato states ‘she dote on Signor Benedict’ which suggests that Beatrice has love for Benedict who at first likes none. The factor for the comedy produced by this statement is it generates an exaggeration amazed facial expression from Benedict, due to the truth that Beatrice is the character who is stated to abhor and scorn Benedict and vice versa.
In addition funny, is produced as the audience instantly acknowledges that the 3 characters are deceiving the notorious Benedict, who abhors love and wants to die a bachelor.
Additionally, comedy is spawned within the gulling scene due to the fact that of the over-exaggeration of the language. The utilisaton of the expression ‘infuriated affection’ juxtaposes popular and love, in order to depict Beatrice as somebody who is frantically in love with benedict, and the rage represents her anger from this. Furthermore, this phrase is an example of oxy-moron when two opposite emotions are utilized to stress the joke.
The contradiction of both words seemingly would not typically fit along with each other that are a factor for the funny generated. Additionally, Leonato uses the word ‘infinite’ to describe the love and affection Beatrice has for Benedict. The word infinite is another example of the overstressed language. In this case, this is an example of significant irony to generate humor as Benedict does not a he is being tricked to produce mild dispute in addition to mischief in a lively method.
A combination between the over-exaggeration and delivery of the language, in the gulling scene creates the comedy. This is apparent when Claudio says ‘ she falls, weeps, sobs, beats her heart, tears her hair, prays, curses’; the language and terminology that is used is highly exaggerated of Beatrice’s love and affection. The exploitation of this list form, of various different verbs in the present tense to describe her true emotion, generates amusement for the audience. Also, the urgency and fabrication contrasted with the quick pace of the delivery of the lines, is a form of emotional blackmailing. This is the entire opposite against what we have seen of Beatrice and these motions go entirely against her philosophy.
This is similar to when Leonato responds to Claudio further fabricating her affection, when the term ‘ecstasy’ is employed. This is a sexual connotation for a sexual experience; reaching the climax/ orgasm that Beatrice feels when she is around Benedict. Linking back to the statement, it is clear to say that the deceit and the false report given by Leonato, Claudio and Don Pedro help in delivery the comedy to the audience.
In addition, another factor, which helps to generate the comedy in the gulling scene, is Benedict lack observance that he is being tricked and deceived intentionally. Benedict is portrayed in this scene as being unintelligent, which is a serious contradiction to previous scenes where the battles of wit alongside cunning and clever statements. His unintelligence is projected when he states that the information that Beatrice loves him is of the source ‘ the white bearded fellow’ otherwise known as Leonato. Not only is comedy generated through is foolish remark, but also the way he refers to Leonato in this way, the slang for wise and prudent. Our expectations of Benedict are mistaken therefore it creates humor.
In addition, the humor is created when Don Pedro states that Benedict has ‘contemptible spirit’, further justifying that Benedict deserved hatred for his lack of affection and care towards women. The comedy is generated, as we know that Benedict is carefully eavesdropping on the supposedly confidential conversation between the other characters, therefore his attitude and desire to prove them wrong in soliloquy part at the end of the act. Furthermore, when they contrast this with their description of Beatrice ‘an excellent sweet lady’, Benedict’s becomes frustrated with the faults in his
personality and the realization that he has suppressed his love, implies he has deceived himself as well.
In conclusion, it is debatable the key element in generating the comedy in the gulling scene however it is clearly evident that the use of over-exaggerated language, is vital. From, this scene we can now see that Benedict does not know his women as he says he does and his stupidity alongside his idiocy, helps benefits the comedy at hand. Furthermore, the influence that Don Pedro, Leonato and Claudio have over Benedicts thoughts is a necessity for the comedy to be generated.