The Evolving Relationship Between Celie and Shug in 'The Color Purple'

Alice Walker employs a myriad of literary techniques in 'The Color Purple' to intricately weave the narrative of Celie's evolving relationship with Shug. By delving into pages 68-70 as a starting point, this essay aims to explore the nuanced attitudes towards sexuality depicted in the novel. Additionally, it will analyze the lexical, grammatical, and phonological choices made by Walker to illustrate the transformative nature of Celie and Shug's connection.

The Awakening: Shug Avery as a Catalyst for Celie's Sexual Liberation

From the moment Celie encounters Shug Avery, an intriguing undercurrent of sub-conscious sexual desire becomes palpable.

Celie's revelation, "First time I got the full sight of Shug Avery," where she expresses feeling like she had "turned into a man," signifies Shug's profound impact on expanding Celie's perspectives and desires.

Furthermore, the intimate act of washing Shug's body takes on a spiritual dimension for Celie, a devout believer in God. She confesses, "It feels like I'm praying," highlighting how Shug becomes a conduit for Celie to explore new dimensions of spirituality and desire simultaneously.

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Liberation Through Confession: Shug as Celie's Sole Confidante

Shug's presence not only liberates Celie mentally but also serves as a sanctuary for discussing deeply personal and troubling matters. Celie's ability to confide in Shug about her traumatic experiences of rape by Alphonso underscores the unique and profound connection they share.

However, as their relationship evolves, Celie's burgeoning sexual desires for Shug become more apparent. In a later letter, Celie admits, "If I don't watch out, I'll have hold of her hand, tasting her fingers in my mouth.

" The syntax of this confession reflects Celie's internal conflict and confusion, emphasizing the transformative nature of her desires.

Jealousy and Intrigue: Navigating Complex Relationships

As Shug's relationship with Albert unfolds, Celie finds herself grappling with jealousy and conflicting emotions. The narrative explores Celie's complex feelings, raising questions about the nature of her jealousy—is it directed towards Shug or Albert?

Celie's introspective remark, "He loves looking at Shug. I love looking at Shug. But Shug don't love looking at but one of us. Him," unveils a web of emotions. Celie's jealousy may stem from her desire to monopolize Shug's affection, leading to a deeper exploration of Celie's evolving feelings and the impact of Shug's involvement in her life.

Conclusion: A Tapestry of Desire and Transformation

In conclusion, 'The Color Purple' intricately weaves a tapestry of desire and transformation through the evolving relationship between Celie and Shug. Walker's careful choice of language, syntax, and narrative structure crafts a narrative that delves into the complexities of sexuality, spirituality, and jealousy. Celie's journey from a restrained, oppressed individual to someone exploring her desires and confronting societal norms is a testament to Walker's narrative prowess.