Up-Close Experience with Influential Works by Five Artists at the "Medium Discovery" Exhibit at the Art Museum of Raleigh

Categories: ArtArtists

The Medium Discovery exhibit is an upcoming show at the Contemporary Art Museum of Raleigh. This exhibit will feature five outstanding artists, and some of their works will be on display together. This is an important event which guests can expect to feel impressed as well as become more knowledgeable of the growing art world. The evolution of art is quick and vast. Even the most active art enthusiasts learn more of the art world each day. Thanks to new technology and the Internet cultures around the globe can connect and learn about what is going on, what has happened, and what may come.

The Medium Discovery exhibit focuses on giving a diverse audience an up-close experience with some recent, unique, and influential works by artists of different backgrounds and styles. The collection of unusual mediums demonstrates the success of art that do not contain traditional concepts, and these artists understand the powerful effects substances can have in art. Five artists who will represent the exhibit Medium Discovery have demonstrated mastery over unique material and light manipulation.

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Each artist has a different focus but do not specifically belong to a traditional art area such as sculpture or painting. Instead of relying mainly on concepts, these artists established their superiority in the medium of their works. Artist Piet van den Boog was born in 1951 and currently works and lives in Amsterdam, The Netherlands. He has exhibited in several areas worldwide, including New York, United States.

This artist manipulates metal and then paints on it.

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He works with metal by using oxidization, which allows physical characteristics like color and texture of the surface to change. Boog’s work, besides the oxidized rusty surfaces on metal sheets, display realistic portraits of people of all ages, sizes, genders, and ethnicities. He has become known for being consistent in combining acrylic and his chemistry approach towards visual art. The overall strategy is primarily about the observation of rust and its interplay with an image of a person.

Jappie King Black is a mixed media artist born in Detroit, Michigan and moved every two years during childhood. She has spent much of her experience and education evolving with art while maintaining a vision of the environment. Black manipulates grapevines, bark, fibers, bones, and other natural materials into sculptures and installations. She takes advantage of the natural properties of these materials not only for the visual aesthetic, but also for the timely processes to take part in her art. Like Piet van den Boog, Black’s sculptures go through chemistry. However, Jappie King Black’s chemical processes are all organic. Certain materials like vines or fibers may dry, decompose, or moisten and result in changed physical characteristics such as becoming brittle, shrinkage, and changing color. Her work changes completely over time depending on the organic material’s natural structure. Black presents the amazing flexibility and strength of material composition – qualities that do not often have important roles in art.

Artist Michael Raedecker’s is a native of Amsterdam who creates contemporary landscape and still life pieces in London. He has studied fine art in Goldsmith College and studied fashion design before being part of many solo and group exhibitions. His mediums include textiles and acrylics. Raedecker is known for combining embroidery with paint. The result are images with spaces made of paint and thread side by side, and there are overlaps where paint on embroidery gives interesting textures. The artist shows his creative thought when applying specific threads in certain manners in order to achieve wondrous effects. His mixed media work, which usually depict plants and man-made structures, appear slightly three dimensional when threads are sewed closely together into forms. With the application of acrylic for color and value, the images come to life.

After receiving her MFA in sculpture at Commonwealth University, Tara Donovan began showing her work in museums across the United States. She turns her collection of everyday objects such as plastic cups, toothpicks, and straws into abstract sculptures. At first sight, her work does not look familiar, but up close one can observe clusters or stacks of repeating objects. These building materials that the artist uses are always common modern substances. Donovan’s sculptures are overall manufactured items skillfully handled to become illusions of natural objects. An untitled work of Donovan is made up of controlled polyester film and lighting. The method of gently curving countless amounts of polyester film sheets 180° and placing them side by side together in opposite directions while sitting in a lit box creates a thick fog effect, as if smoke is flowing inside the space. Other of her sculptures look like coral, fungi, hay, and rock formations but are made of straws, paper, and toothpicks. Tara Donovan’s work most of all demonstrates the ability of bulks of small objects to become beautiful large-scale sculptures.

Two-dimensional artist Gregory Crewdson was born in Brooklyn, New York in 1962 and studied photo art in SUNY and Yale. He is most notable for bringing captivating light manipulation in photography. He has used light as an important medium combined with a camera to create cinematic images. Crewdson’s approach of documentary photography is the result of controlling light, objects, and people. His images are captures of furniture and household items carefully positioned and of models posed in the same setting. Although his work is the most conceptual of all five artists for this exhibition, he still should be noted for his unique method of medium manipulation with visible light. Visible light is neither a material nor a process, but energy or visible waves part of the electromagnetic spectrum.

Gregory Crewdson makes his art exclusive by working light into his own design style. How he positions and decides the appearance of his light source in space is specific for interaction with matter in order to achieve a certain look. This process results in twilight photographs that look eerie, relaxing, and beautiful. These five artists go far outside boundaries of traditional art mediums and have proven to enhance the realm of contemporary art. Their unique methods and diversity in sculpture, photography, painting, and textiles remind viewers the vastness in art styles.

While on display in a single exhibit, these works will enable distinctive mediums to point out their own and each other’s qualities. For example, Tara Donovan’s massive amount of synthetic materials contrasts well with Jappie King Black’s all-organic sculptures because both are opposite products. They point out each other’s differences in physical and chemical properties. The interwoven vines and fibers by Black also work well together with Raedecker’s embroidery. They point out the flexible characteristics of their materials and have taken advantage of such structures to create art. The method of Piet van den Boog’s acrylic with rust and the manner of Michael Raedecker’s acrylic with threads are similar because they introduce new textures by combining non-traditional art mediums with paint.

Gregory Crewdson’s approach most agrees with Boog’s approach as they both think even more outside the box of art mediums through non-materialistic use. Piet van den boog opened doors to the use of chemical processes art expressive visuals. This artist is notable for using deeper understanding of his own material in art. He takes advantage of his knowledge of physical and alchemical properties. The process in his work, as mentioned previously, is called oxidation, or a reaction including the loss of one or more electrons. By understanding the elemental character of lead and the oxidizing agents such as fluorine and chlorine, Boog can perform a reaction which results in physical changes like the surface texture to become rough and the color to become green.

Gregory Crewdson successfully introduces visible light as a medium that makes his work the way it is. He does not need to create a form or illusion; he transforms a setting completely with his handling of artificial light sources. Crewdson cannot manipulate the light emitted by these sources but they are still crucial to his art. This is important to display because too often do artists unconsciously limit themselves to tangible, definite materials, and they must expand to more abstract observable mediums.

The Medium Discovery exhibit will give visitors inspiration, excitement, and a deeper understanding of contemporary methods behind new mediums. Each artist revealed here can fabricate visually compelling projects that do not need to send messages for the audience to understand them. The medium itself is arrange and altered with such inventiveness that one would be more curious of its state in existence more than its meaning. Michael Raedecker challenges the medium of acrylic paint on a canvas and applied embroidery for a new textured appearance. Tara Donovan uses mass-produced objects of artificial substances and builds colossal sculptures to present its beauty in bulk. Jappie King Black shares the various natural structures extracted from organisms through sturdy sculptures which rot over time. Gregory Crewdson’s style surrounds the effects of lighting in certain settings.

Last but not least, Piet van den Boog includes chemical reaction to his art by replacing the traditional canvas with a metal sheet and affecting its color and composition with oxidizing agents. People who observe the works of the five artists can learn from their styles that non-traditional medium have powerful effects and aesthetics in art today.

Bibliography

  1. “Bio.” Piet van den Boog. Last modified 2016. Accessed November 8, 2016. http://www.vandenboog.com/bio.
  2. Blair, Bill. “The Basics of Light.” Johns Hopkins Krieger School of Arts and Sciences. Accessed November 10, 2016. http://www.pha.jhu.edu/~wpb/spectroscopy/basics.html.
  3. Chattopadhyay, Collette. “Rules for Growth: A Conversation with Tara Donovan.” International Sculpture Center. Last modified December 2005. Accessed November 9, 2016. http://www.sculpture.org/documents/scmag05/dec 05/donovan/donovan.shtml.
  4. Chen, Xi; Hu, Anmin; Li, Ming; Mao, Dali. “Oxidation of Lead Frame Copper Alloys with Different Compositions and Its Effect on Oxide Film Adhesion.” ProQuest. Last modified February 2009. Accessed November 10, 2016. http://search.proquest.com.proxy.lib.fsu.edu/docview/204845931?pq origsite=summon&accountid=4840&selectids=1007529,1007921,10000120.
  5. “Natural fibre: Raw Material.” Encyclopædia Britannica. Last modified 2016. Accessed November 9, 2016. https://www.britannica.com/topic/natural-fiber.
  6. Nicola, Donovan. “Michael Raedecker.” Textile: The Journal of Cloth & Culture. Accessed November 9, 2016. http://hablk3ly9z.search.serialssolutions.com/?ctx ver=Z39.88 2004&ctx enc=info%3Aofi%2Fenc%3AUTF-8&rfr id=info%3Asid %2Fsummon.serialssolutions.com&rft val fmt=info%3Aofi%2Ffmt%3Akev%3Amtx %3Ajournal&rft.genre=article&rft.atitle=Michael+Raedecker&rft.jtitle=Textile%3A+The+Journal+of+Cloth+and+Culture&rft.au=DONOVAN %2C+NICOLA&rft.date=2010-11-01&rft.issn=1475-9756&rft.eissn=1751 8350&rft.volume=8&rft.issue=3&rft.spage=378&rft.epage=383&rft id=info:doi/10.275 2%2F175183510X12868938341727&rft.externalDBID=n %2Fa&rft.externalDocID=10 2752 175183510X12868938341727&paramdict=en-US.
  7. Stronberg, Jacquelyn. “Living Fibers, Living Forms: The Work of Jappie King Black.” Surface Design: Creative Exploration of Fiber and Fabric. 2009. Accessed November 9, 2016. http://www.kingblack.com/media/Jappie King Black-Surface Design-Spring 2010.pdf.

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Up-Close Experience with Influential Works by Five Artists at the "Medium Discovery" Exhibit at the Art Museum of Raleigh. (2021, Sep 24). Retrieved from https://studymoose.com/up-close-experience-with-influential-works-by-five-artists-at-the-medium-discovery-exhibit-at-the-art-museum-of-raleigh-essay

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