Tragic Future in Aldous Huxley’s Novel "Brave New World"

Aldous Huxley’s novel, Brave New World, the setting of the story is set in a tragic like future marked the “World State.” Naturally, this fictional society contrasts from numerous points of view from our own, and Huxley unmistakably portrays the focuses where our reality and the World State wander. While these distinctions, for example, on how newborn babies in various positions are traditionally modeled in various ways, may appear to be very clear to the reader, what isn’t as obvious are the manners by which the New World offers similitudes with our present society, Huxley is warning us of the unsafe impacts that extension and advancement of an entrepreneur philosophy can force on society.

While in present day society we are compelled to forfeit certain parts of our lives to fit in with specific standards, in Brave New World, the sacrifices that are made are undeniably increasingly outrageous. In Huxley’s dystopia, the decision body, under Mustapha Mond, seeks after a general public driven total commercialization by at last yielding certain human qualities, that in the present society, may be viewed as basic.

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The main esteem that Mond accepts must be sacrificed are close to home connections that produce feelings or sentiments of energy. Thus we see that residents of the New World don’t have guardians, sweethearts or youngsters. In reality family is basic and regularly goes about as an essential emotionally supportive network, in the World State that activity is given to Soma, a recreational medication, that mitigates any torment the client is encountering.

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While in our present world this idea appear to be incomprehensible, according to Mond, the limitation of individual connections lead to a monetary dependability in society. Another sacrifice is uniformity. Not every person is similar today, in the Western World he trusts that regardless of whether you were born in poverty with diligent work and devotion. In Brave New World, this thought of the American dream is non existent. People are born in a caste (Alpha, Beta, Gamma, and Delta Epsilon) and will remain in that race for a lifetime.

The novel has a lack of balance in sexual orientation, which was, in a sense, a thrill from the beginning of our human progress above all, the fundamental characters of the books are mostly men Bernard Max, Mustafa Mond, Helmholtz Watson and John the Savage. The main female character with the highest recurrence of essence is Lenina Crowne. Furthermore, all the important works in the cultured society are performed by male characters, as confirmed by the summary of visitors participating in Bernard’s meeting financiers, local controllers, etc. They are all less women. The main works that women can translate in the novel reflect the misfortune they face assistants, specialists, in the network of fetus shops, social workers and, of course, suggestive people. In any progress, old or new, the main individuals who depend on the initiative of a general public are men. Only masculinity can coordinate a general audience towards a predetermined predetermination. The author couldn’t complete a higher occupation by attributing the identity to women in the novel. They are demonstrators of madness and sexual needs. The torment they suffer are the current common social principles. Lenina struggles with her adoration for John. Then, Bernard and Helmholtz languish due to the absence of academic difficulties. Furthermore, struggles with the recognition of progress. Each of them is governed by their destruction of social models. Bernard and Helmholtz are rejected for their academic interest and lack of research. They are sent to an island by their decision, left to themselves and have the opportunity to investigate. John chooses his own discipline limiting himself to apparent development. Lenina, on the other hand, receives physical discipline from John, who takes it with stunning. There is a distinction of differentiation between disciplines. Lenina is rejected by John, the badge of our general public. In any case, your audience does not exclude it. Her general public supports her and her socialized temperaments, the ethics that John’s general public for his “civilized” temperaments. For Bernard and Helmholtz, their discipline can end up being a reward for them. Lenina pursues her ideals and continues to receive discipline to do nothing against ethical guidelines of her general public. Bernard and Helmholtz get what they crave or imagine they want to conflict with their general public. Moreover, for John, he chooses to reject himself. Women are meant to be rejected for reasons they can’t see, regardless of whether they submit to the standards set by society.

In the story of Aldous Huxley, Brave New World, there are two extremely particular universes that both take on a monstrous role in the plot of the novel the reservation, which resembles to some extent the current underdeveloped nations, and the modern bold lifestyle, which is Huxley’s concept of what the future society will eliminate.

In the oppressed world of Huxley, the drug soma also serves to protect people from the disruptive effects of conflicting statements that the public cannot be prevented. The general public then urges everyone to accept soma as a method for social control by eliminating the effects of conflict. John’s request to dismiss his delta at the time, establishes a sob for the disobedience that goes unnoticed. John, once again, authentically challenges the Brave New World with an opportunity perspective that incorporates all, even the Delta that rejects his call to resistance. Although, John, like Bernard, experiences the mistreatment of the world state, John can summarize his protests reflexively and discuss the matter in a narrow and personal way with Mustapha Mond, based on the fact that John is hereditary, an Alpha Plus, has not experienced the important molding to adapt. His complaint is not only his lack of consolation, but the degradation of forced submission by the general public. John’s recognition of a free human existence, with all its danger and torment, speaks of an optimism that remains outside Bernard’s ability to understand. John intends in any case to guarantee his right to be a person.

Freedom in this general public has been ceded by what Mustapha Mond calls happiness. Undoubtedly, practically the majority of the characters of Huxley, Bernard and Savage, are the substance to take their proportion of soma, to go to the feelings and to live a life without thoughts and tenuous. The incredible color of Brave New World is obscure. Everything and everyone seems to be boring to the reader, with the exception perhaps of Savage, which is the main luminous shade of the novel. However, Mond has mistakenly connected the absence of torment with satisfaction. He insinuates it when he portrays his adolescence in the Reservation, where the main moment was happy after having concluded a deal with his own hands. This, not soma, gave him the confidence to discover joy. Different characters in Brave New World, in any case, do not include self-esteem. This translates into a failure to discover the name known by the wild and the rest of the world before Ford lives in the reservation. True satisfaction is the result of opportunity. Bernard supports the entire book, obtaining between the two universes. Although he has been shaped to recognize his submission, he is always looking for opportunities. He sees this opportunity in the wild, and scolds him for having inner joy, certifiable happiness, which is the general public fugitive of Bernard. Huxley uses Bernard to summarize this battle between opportunity and submission. Huxley claims that a certifiable and free life requires resistance and torment.

John Savage speaks at the base of humanity for his excellence. His adoration for Shakespeare, a definite achievement in craftsmanship and excellence, according to Huxley, speaks of his desire for a surprising and elegant quality in the human spirit. The story of Huxley depends less on the improvement of the character than on the personification of the social and political idea in the names, aspects, qualities and imperfections of each character. For example, Bernard Marx embodies the agitation and the arrogance of the communist idea. The reader should not see each character based on their identity to an extent that reflects the thoughts and ideas with which they speak.

Mustapha Mond is not a rival in the conventional academic sense. His knowledge of the desire to control humanity makes him a vile character. However, his inspiration is to make satisfaction feasible for people. He perceives that humanity, when left to itself, is corrupt. His inspiration is to benefit the whole society, regardless of whether that inspiration causes inadequate world of feeling and magnificence. Mond makes it clear that the administration’s provisions are idiotic, with the help of soma, a drug that offers an approach to managing unpleasant feelings that lead to waste and struggle and protect people from the effort to change the way they live. . As everyone knows, utopias strive to complete impeccably in this way, it is absolutely important that these social orders have moral qualities. The public opinion of Brave New World needs estimates like indiscrimination, the population, the use of medicines and the disposition of religion and the family, creating a dystopia. In the middle of the whole novel, Huxley makes it clear that these qualities are absent from the general public.

Since Stability is a piece of Brave New World’s new proverb, it is a pivotal arrangement for the administration to maintain. Something different that is constrained by government and science is anything to do with marriage, sentiment and pregnancy. It is a standard by the administration for everybody to uninhibitedly engage in sexual relations with anyone at whenever they need. It is against the guidelines of the Utopia to date anybody consistently. Government restricts anybody to go towards contemplations of monogamy and sentiment since they require a lot of time and breath life into no steadiness.

Huxley generally separates the novel from a third. The initial segment of the novel builds the oppressed world, the London of things to come, with enough details and bases to push the reader to recognize the world as guaranteed. The ideal world in itself remains practically only a stage, without diverting excursions to different places. The main complexity of the ideal world, is the way of life and the society of the perpetrator. However, when presenting the Reservation, Huxley presents an adversary and a complexity for his oppressed world within the novel itself.

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Tragic Future in Aldous Huxley’s Novel "Brave New World". (2021, Feb 09). Retrieved from

Tragic Future in Aldous Huxley’s Novel "Brave New World"

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