Predictive Dream Essay
In this paper I chose to visit the virtual museum of fine arts in Boston, MA. I chose, Predictive Dream, by a world famous artist by the name of Aoki Katsuyo. This piece of art is currently on display at Exhibition of Fine Arts Boston, New Blue and White. This happens to be a ceramic porcelain piece of work from a series the artist created named Predictive Dreams, where skulls decorated in an excessive asymmertrical ornamentation style from cast porcelain formulate the series, . This work is neo-ornamentalism from Japanese contemporary art. Katsuyo has had many numerous solo exhibitions along with many awards.
Katsuyo graduated with a BFA in painting in 1998 from Tama Art University(Tokyo, Japan). He appears to use ceramics as a form and means of deep feeling and expression that is very define and meaningful. Katsuyo stated the following about his work, “The decorative styles and forms I allude to and incorporate in my works each contain a story based on historical backgrounds and ideas, myths, and allegories. Their existence in my present age makes us feel many things,: adoration, some sort of romantic emotions, a sense of fruitfulness, and langour from their excessiveness and vulgarity.
And on the other hand, they make us feel tranquility and awe that can almost be I am able to express an- atmosphere- that is a part of the complex world in this age. In fact, the several decorative styles and forms I cite simultaneously hold divine and vulgar meaning in the present age, having an irrational quality and contradict each other, which I feel express an important aspect in the contemporary age in which we live. My artwork may remind viewers of a narrative story such as a fairy tale, a myth or religious objects used in ceremonies.
That is to say, as if I went deep inside myself and came to be face to face with my inner shadow. In other words, it is almost like mystic experience seeing fantasy, daydreams, and awe. It might be because more technology and civilization develops, the more our inner shadow asleep which is deep inside our hearts,defines into its silhouette including mine. ” (Katsuyo) Choosing only one work of art was the most daunting task for the museum paper. From sculptures to photography it was difficult and nearly impossible, to choose just one piece of work.
So my decision stemmed from the want of something interesting, unique, and contemporary in appearance that would be characteristic of the present to a bold and beautiful piece of work that I would not mind owning myself. There is something about this piece of art that I cannot quite define, something uncomparable and radically distinctive, that I simply cannot grasp and put my finger on and for a multitude of reasons, it is really fascinating and aesthetically pleasing to me personally.
The porcelain medium and it’s large scale of elaborate and complicated detail make this piece of work intriguing and provocative, one that will likely stimulate discussion or even exciting controversy. As well as the artist uses a two-dimensional unique and incomparable form that I have never seen before and it is simply stunning and impressive to look at. This work in my opinion, and after careful observation, does not have a lot of variety with it being composed of one medium and does not have any color but a simple white.
However, while lacking variety and an assortment of color arrangement, the work does display a nice abundance and healthy assortment of balance of unity with the use of porcelain, glossy white color, and with great in detailed lines. I believe Katsuyo’s work portrays a very equal balance in his work without the use of symmetry but instead displays asymmetrical balance. In this work there is also a lot of different calligraphic lines in several different layers that give it texture with their details throughout them. I feel very strongly as though this work is very expressionistic of him.
After choosing this piece of work to discuss and write about I wanted to know more about this artist. I dedicated both time and effort into researching as much information as possible about him, read the artist’s statement as quoted previously some of his statement. I was captivated and very surprised because I could definitely see some of his form and content that he discusses in his unique and truly magnificent work. Some of Katsuyo’s appear to work primarily with ceramics, incorporating various decorative styles, patterns, and with symbolic forms.
The works can appear simple but also be unusual and incredibly complexing. It is a skull formed together by swooping, lacy, and fragile ceramic tendrils. The porcelain skull has a feature of meticulous patterned details and almost appear to look like a coral you may see under ocean water. I really like the appearance of the life and death look and the first impression I get with this piece is actually a combination of feelings ranging from a solemn, comfortable and relaxing peace within and almost a dark, mysterious, slightly perplexing and uneasy type of reaction within myself.
I find myself continually looking at this wonderfully brilliant piece of work and it amazes and completely fascinates me the time, patience, effort, skill, and critical thought process the artist has in mind. A person, such as I, can really truly appreciate the time, effort and dedication spent on such a small but yet meaningful piece of work that I am sure is adored, admired, and even possibly envied by many as of today and the future of ones that may have the opportunity to witness, observe and experience the unique appeal of this remarkable piece.
The piece adds a beauty the cycle we have in this life. “The artistic expression for me however, while meaning something personal to me; can be described as a result of images from my imagination and fantasies. That is to say, as if I went deep inside myself and came to be face to face with my inner shadow. In other words, it is almost like mystic experience seeing fantasy, daydreams and awe. ”
Subject: A Dream Deferred,
University/College: University of California
Type of paper: Thesis/Dissertation Chapter
Date: 5 June 2017
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