1. Movie acting during the 1930’s through the 60’s was dominated by the movie star. The concept of the movie star then was divided into two, the actor him or herself and the characters attributed to him or her. The star reflects the social and cultural history of the time. Movie studios were more concerned with the images of their actors rather then their talent. The actors had little control over their careers; they were tied to the studio until their contract expires or cancelled. The studios and actors themselves concentrated on building and maintaining a good image for the public rather than improving their craft.
Today actors rely on a physical and psychological approach, meaning actors today generally take roles that are within their persona. Actors today enjoy a lot of freedom, they are able to take more roles and more movies from different studios. Narrative and acting today lose some importance because of advancement in special effects. 2. This relationship is important because the camera sees details that can’t be seen before the invention of cinema. The camera is the single element that most radically differentiates the movie actor’s performance.
3. The addition of sound into films meant that the actors have to use all their powers of human expression, meaning screenplays now have to come with dialog and teachers that would teach them how to deliver lines right. The introduction of sound also meant that directors have to rehearse actors more because before, they could bark instructions at actors. 4. Actors, should be seen as artists who have acting as their craft. Movie stars on the other hand are the images that are projected to the public.
They are created to boost popularity of their names and the movies they work on, in turn, selling more tickets. Stars are commodities because they are both the workforce, and the result of that work, by the studios. They provide income for the movie studios. 5. The most important factor in casting is the type of role and how an actor’s strengths and weaknesses relate to it. It also depends on the budget and expected return of the movie. Gender, race, ethnicity, and age also affects casting. 6. Naturalistic acting is when an actor plays a role that has conceivable and normal behavior.
Nonnaturalistic acting on the other hand, is when an actor plays a role that is unlikely to be seen on the real world. 7. Improvisational acting can either mean acting without studying a script or playing through a moment by making up lines to keep scenes going when certain lines are forgotten. 8. Framing and composition can create relationships between characters, and thus, create meaning. How the actors are framed and composed in a shot, in relation to each other, can affect how the audience interprets the shot. Lighting can also be a symbol for a variety of meanings.
And lastly, the long take carries the weight of the scene, it encourages ensemble acting. 9. Close-ups isolate the actors, providing details on the face. Active close ups emphasize something that was just said or done, passive close ups reveal the actors’ main asset, the face. 10. The actor’s ability to make the audience forget that they are watching a movie is for me, the most important criteria for analyzing acting. When an actor is able to do this in a movie, it means he or she is an effective actor, able to project emotions that appear real to us.
University/College: University of Arkansas System
Type of paper: Thesis/Dissertation Chapter
Date: 16 November 2016
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