Humanities and Architecture – Gio Ponti Essay
Humanities and Architecture – Gio Ponti
Sculpture is created by merging durable or plastic material, commonly stone either rock or marble, limestone, ivory, and/or granite. Sculptures are created through carving and/or assembled, built together and welded, or molded by sculptors. In addition, sculptures are three-dimensional art-work that can be seen commonly in public places. In renaissance period, many sculptors were known in Europe. Some of the sculptors known in continental Europe were Giovanni and Michelangelo. Example of a sculpture is the Pantheon that was made by Marcus Agrippa, a Roman sculptor.
On the other hand, architecture can be defined through as process and as a profession. As a process, architecture is the act of drafting and constructing buildings and other physical structures, principally to draft buildings. In literary context, architecture takes into account more of the designs of the structures. From the macro level of how a building combines with its surrounding landscape (e. g. rural design, and landscape architecture) to the micro level of construction details and, sometimes, furniture, architecture plays a major role in its construction.
Basically, architecture is the activity of drafting any variety of system. System integration Merging architecture and sculpture in modern world is called Archi-Sculpture. Innovations applied in construction and project designs through modern day technologies and discoveries new materials allowed architects to draft buildings with sculpture type designs. One of the purpose of mixing architecture and sculpture in buildings make sense in designing structures that are historical, exquisite and scenic depending on the type/kind of buildings.
Example of structures in which Archi-sculpture can be seen includes Sagrada Familia in Barcelona and Crypt of the Church of Colonia Guell by Gaudi. Implicitly, sculpture and architecture are two different areas of studies which are overlapping in nature. Sculpture became more useful and tectonic, making a link with the geometric designs which are fundamentals of architecture. Likewise, architecture became revolutionary with the used of sculptural concepts and/or ideas. In example, the dramatic architecture of R. Steiner defined the propinquity between anthropomorphous architecture and figurative sculpture.
In our modern day living, the Blob architecture of Greg Lynn and Lars Spuybroek are examples of Archi-sculpture. The pre-World War II era (1900’s) was recognized as the Age of Sculpture, today. In the history of architecture, the curved walls in Gallery exemplify a good example of sculptural style in modern day structural design. On the whole, sculpture and architecture are two different studies that can be mixed, wherein statues and buildings complement to each other, designs and drafts could include sculpture concepts, and sculptures are better seen along and within structures.
Demarcation between sculpture and architecture Sculptors are the laborers of their own work. They are the ones who carves, mould rocks, stones, and marbles to make statues and figures. Unlike architects, they are only responsible for the design of the buildings. They are not the ones who make the buildings; the engineers are the ones who implement/follow the designs of the architects. In addition, sculptures are more of aesthetics, beautifications, historical and part of culture.
Architecture focus on how to design structures, involves drafting, used of materials, designs, used of geometric forms, and concerns with space. While the rationale of sculpture is to entertain, architecture’s focal point is to create/draft structures. Consequently, sculpture is more of subjective (art) than objective nature (and vice versa for architecture concepts). Gaudi and Mies architectural style Gaudi’s gothic architecture was remembered as stylistic insult during the later part of renaissance. It was described with pointed arch, the ribbed vault and flying buttress.
Many of the old churches, universities, castles, and palaces were designed using gothic architecture. The Sagrada Familia, one of Gaudi’s greatest designs, combines sculptural and architectural ideas. Until today, the construction of Sagrada Familia is still continuing. With the project’s vast scale and peculiar design, Barcelona made its way in top tourist attractions in the world. Its style was celebrated as irregular and fantastically obscure. Gaudi’s architectural style describes a complete and straightforward method, providing an example of the spontaneous and basic methods.
His artistic style allowed him to attain balanced forms comparable to which nature offers. Gaudi’s architecture portrays the totality of his artistic contribution of combining materials, methods and poetics (which is sculptural). His approach to furniture design was a graceful spatial continuum that goes beyond structural expression and integrates with the sculptural idea. Conversely, Mies structural designs of traditional custom houses were pulled away by critics/progressive theorists for attaching historical ornament unrelated to a modern structure’s underlying construction.
The earth-resting structure of Mies defies the concept of earth-rooted type of architecture. Critics suggest Mies designs which do not reflect to the environment. The structures built by him do not complement with the landscape or the environment itself. Mies architectural designs are more of an isolated type of structures which doesn’t fit to most of the people’s interest. Earth-resting architecture does not relate to the earth or landscape of the buildings which appears to be off-nature to the progressive theorists/critics of Mies.
University/College: University of California
Type of paper: Thesis/Dissertation Chapter
Date: 24 September 2016
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