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To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge-and, therefore like a power. Photographs, which fiddle with the scale of the world, themselves get reduced, blown up, cropped, retouched, doctored, or even tricked out. In clarifying what photography implies, Sontag mentions significant objective facts that explains our judgment or impression of a photograph and how it is derived from very little to no information. It is due to the modifications or absence of data about what was really occurring while the photo was being taken, that we, as a viewer may never truly understand what the picture was to encapsulate.
The exposition takes a gander at how photography is a mechanism for self-articulation, particularly like painting or figure, the picture taker has the choice to do what they wish with a photo so as to expound their plan. Sontag sees how photos fill in as proof of something or an occasion, something we find out about and question until there is photographic proof of the occasion.
Sontag additionally takes a gander at how photography is another vehicle of mass reconnaissance, which can be utilized to implicate an individual or people. The image may contort; however, there is consistently an assumption that something exists, or existed, which gives a general point of view of what the image may contain.
To further continue, Sontag mentions how Photography has become almost as widely practiced as some of the other activities we might enjoy doing.
Which means that, like every mass art form, Photography is not practiced by most people as an art. It is mainly a social rite, which is meant to be practiced as something that is invaluable to a large extent. In my opinion, Sontag brings out many complimentary points about why photography as a medium is so effective, but also why it can be viewed as flawed. It is the general notion that “a photograph is what it seems”, that Sontag is arguing against. She argues that art should not be subjective, and the individual interpretation of an artwork should be a collective one. Sontag also looks at how the advancement in technology has allowed amateur photographers to take on the art form and transform it into something that can be looked at in the form of an idealistic hobby.
Sontag, throughout the essay focuses on the use of photography as a medium that can be used to surveil and spy on its users and other individuals. She mentions “the realistic view of the world compatible with the bureaucracy redefines knowledge-as techniques and information”. This theme is continuously explored throughout the reading. To conclude, Sontag has explored many interesting points through the course of the reading, especially her view on how photography is a tool that can be explored and has been over a period of time. It is riveting and helps encapsulate what the medium is and can be in the future.
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