Haunting Memories of The Past Essay
Haunting Memories of The Past
Frequently, without warning and for no reason people have ever been able to detect, the thoughts are invaded by some segment of the past. If the yesterdays drop like stones in the mind’s unfathomable waters, dropping ever deeper as they are shorn of the momentary buoyancy of the present, this periodic invasion seems to overturn the process.
Abruptly, and commonly, from considerable depths, a absolutely preserved image appears once more, floating face down in the pellucid pool of the present, demanding that to turn it over and re-examine the face of several event that is part of a life story, one of the billion little building blocks from which an individual history has been made. These revenants are so bloated with time and distance that they are more or less unrecognizable, and the mind has to struggle to discover the lineaments of whichever familiar features.
More frequently they are so completely preserved that memory seems possessed of the dominance to resurrect also as to store and preserve as well as of course, to lose time’s endless supply of cadavers. The story of “Kokoro” embraces the tragic representation of loosing someone close to your heart by means of committing suicide. This kind of situation will create so many questions that linger to your mind such as: Why I did not recognize the person’s plan to commit suicide?
If I have known or notice what the person is feeling could I have prevented it to happen? Have I given the person the right treatment the person deserves? And so on and so forth. These thoughts will be a burden that haunts every human being got involved in this kind of situation. Countless memories are bidden back to mind basically in response to several varieties of quite obvious stimuli, something which acts similar to a hook or a net trailed across the remembrance.
Smells are in particular potent in the stimulation of recall; when old related persons meet they frequently trawl the past together and pull in quite significant strands of recollection from the shared histories; re-visiting places which have figured extensively in the lives can release a deluge of remembrance. The memories with rogue splinter of the past which emerge in the mind spontaneously, the coming traceable to no clear sequence of cause and effect. General Discussion Whenever humans go through something dramatic or life altering, the memories from that incident haunts them for the rest of their life.
And even though time may heal some wounds, it doesn’t heal all wounds. When do the memories stop hurting and become just an incident happens in the past. People tend to stay busy just to forget but at the back of somebody’s mind, constantly searching and reliving memories of the past. The feeling of pain cannot be controlled for it is instantaneous. Even in the various themes in the book “The Stones Cry Out”, the most undeniable is an examination of how unforgettable trauma can crystallize into a lens that eternally refracts and warps one’s view of reality.
The first of Hikaru Okuizumi’s novels to come out in English, “The Stones Cry Out” traces the effects of a traumatic battlefield incident on a man and his family. Tsuyoshi Manase, a Japanese private living throughout the horrors that attended the close of World War II, takes refuge in a cave on the island located in Leyte in the Philippines with a number of soldiers. An action that becomes this narrative’s moral core of gravity, the commanding officer commands the group’s able-bodied members to slay the soldiers who cannot care for themselves.
This command coming from a person will surely be a burden for him for the rest of his life. At that moment the situation may not have great effect on the said person but at the near future this will haunt him forever. In the “The Stones Cry Out”, one of those who are declared to be murdered, an injured lance corporal, picks up a stone and tells Manase that even the most ordinary pebble has the history of the universe written upon it. The picture of the captain’s sword, flashing red with blood and firelight, stays with Manase as he reconstructs his peacetime existence.
This is a traumatic experience thinking that you have taken away in your own hand the lives of human beings. This event will be part of a person’s memory. Just like memories, there are those flashes of invented biography whose provenance is entirely unmysterious. If we go to a place heavy with history, a castle or battlefield, say, where several dreadful cruelty was done in years gone by, who among us will not picture in their mind in conversely confused, incomplete and inaccurate a fashion the feelings of the people concerned?
It requires no grand site like Culloden, Ypres or El-Alamein to fire the empathy, the smallest of sparks will do. Visitors to little Rathlin Island, for instance, alerted to the massacre which happened on these unremarkable small acres just off Ireland’s north coast, will definitely be moved to feel few tremor of identifying terror as stand in the actual place where hundreds were put to the sword. The tranquil quietness of the scene today, some four hundred years after the event, cannot all in all smother such instinctual fellow-feeling.
Empathy can as well be sparked by what have read in the papers or watch on television news bulletins. Who has not felt for the refugees, the starving, and the injured as they trek miserably across the bizarre voyeuristic spaces formed by the media? Certainly such is the burden of pain and grief brought continuously to the attention by the headlines that it has become a normally voiced concern to wonder if several blunting of compassion, a deadening of the capability to feel for others, may be being fostered by the enormous media-consumption.
Once again, as with memory, it is not these distinguishable, explainable incursions of other lives that interest a person, but those which have no apparent link with the present, which are just abruptly there for no reason, dropped into mind at random. The Stones Cry Out is an example of painful and harrowing experience. This expertly weaves memories of the pass into the present, as Manase, the key character is revisited by the similar horror, Manase tried to leave behind.
It is magnificent how few words are used with various levels of meaning and understanding. The climax, when it comes, is breath-taking, its power enhanced by Okuizumi’s limit and his belief. This is a novella of incredible power which transcends national borders and touches on what makes us all human. Every human being has their own perspective what matters most is how such perspectives can affect your life. Unexpected events happens, nothing can be than because it had been already occur. The thing is! Can you live with it?
An event in the story of “The Stones Cry Out” by Okuizumi, Hikaru (2001) as the Manase’s elder son, Hiroaki, is stabbed to death in a cave similar to the one on Leyte, Philippines shows that life should be lived in the present, not in the past for the reason that a person has great work to do with the one they love. Life is too short to waste, do not take for granted the person important in to your life because you will never know what will happen next. And when something goes wrong you cannot turn back the time you might regret it and haunt you for the rest of your life.
Things happen to make us stronger to build every human being to face the reality of life. Sometimes it is difficult to survive and overcome what is considered tragic to your life but time will heal the wounds in your heart though it cannot be forgotten. It will stay there in you forever, so it is up to you if how will you take it. The ending will leave questions what really happened and whether it even matters, as the mind understands and experiences actuality not as a discrete occurrence of the present but as fraction of a greater continuum with the past.
The repetition of the cave image, in dreams and in waking life, suggests that an allegory of expiation, a symbolic objection against the passivity that so frequently accompanies gratuitous cruelty. The corporal’s pebble is one of the stones that would cry out, as people are reminded in the novel’s epigraph (Luke 19:40), if mankind were to fall silent before the truth. Okuizumi’s understated prose is the ideal vehicle for a sensibility traumatized by history. What is worst in dying is by committing suicide in order to escape the world.
Sometimes because of the burden in the heart of a person which occupied in the heart for so long resulted to do something unthinkable just to ease the pain. In the book of Soseki “Kokoro”, “How can I escape, except through faith, madness, or death? ” For Sensei, the protagonist of Kokoro, the only way of escape from loneliness is death. An individual may feel that there is no reason for him to stay breathing. The pain of the person is too much to handle, that the said person would rather ends his/her life it to stop the hurting.
This is the last resort of a person in agony. Memory is much more than a recurring or pervasive theme in fiction. In response to this complexity and vitality, the very breadth and diversity of these critical interpretations imply that memory has multiple and changing functions is perhaps most of all an act whereby one can both discover and imagine an almost endless number of ways in which memory comforts and haunts, sustains and shocks not simply individuals but also communities, inspires and terrifies, cultures, and nations. Conclusion
Faced with these little time-ambushes, once present consciousness is all of a sudden confronted with a bit of history dropped squarely in its path, it sometimes seems that memory constantly chews on the cud of the past and that part of this procedure of perpetual temporal digestion involves re-directing specific moments towards the present, as if renewed scrutiny might pull out from them few piece of nourishment missed the first time round. For months at a time these memoirs will be drawn from a specific time in life, so therefore the focus will change and another period will come under the spell of apparently random recall.
In whatsoever hidden chambers of the psyche it occupies, memory seems to maintain one eye on packaging the fleeting present, an ever-efficient, tireless archivist, at the same time reviewing with its other eye reels of material from the past. Just like in the book “The Stone Cry Out”, how the story goes is very much tragic that it will linger in the mind of the persons involve maybe for life. The burden cannot be easily forgotten just like that. What the person involve can do is to try to overcome the hurt and hatred to set him/her free.
The person should move on even if it means facing your greatest fear which is the emptiness in the heart. Just like in the story “Kokoro” by Soseki, Natsume (1957) when Sensei committed suicide, the memories will be in the heart but such memories with no continuation will fade and brings emptiness. The only thing left is the mark that will be haunting the person’s life. It is not simple of letting go of something that happens in the past it will always be inside you. The memory will fade but will not totally be erased it will leave a spot in a person’s heart and mind.
This spot will always make you remember the things happened in the past. For some people who survive the tragic experience in their life, for the reason that their experience in the past was so horrible, the past comes back to haunt them in the present and make the present that much more difficult to cope with. A person cannot escape the darkness unless he let go of everything. People should be aware on how to cope up with trauma.
Okuizumi, Hikaru “The Stones Cry Out “ Harcourt Trade Publishers ; ISBN: 0151003653 (January 12, 2001) Soseki, Natsume “Kokoro” Foreword and translation by Edwin McClellan, (1957)
University/College: University of Arkansas System
Type of paper: Thesis/Dissertation Chapter
Date: 20 March 2017
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