Comparison and Contrast of the Movie and the Novel

Categories: Stephen King

The following paper gives a comparison and the contrast on the novel “The Body” by Stephen King and the movie that is based on this novel, i. e. “Stand by Me” by Rob Reiner. The Body is a short story from Stephen King's compilation of Different Seasons. Later on a movie was prepared of the story of the novella; called Stand by Me. Comparison and Contrast of the Movie and the Novel: Starting with the screenplay of the movie, as portrayed in the novel, the movie did extreme justice to it.

A few differences those were quite noticeable. These include the time of the film which is publicized 1959 rather than 1960, the location of the story which in the book was Maine and in the movie it was Oregon. A number of scenes were edited from the movie. The movie involves more scenes that revolve around the older gang. Scenes likes where Ace stealing Gordie’s cap, the gang plays ‘mailbox baseball’, while discussing the body of Ray Brower when sitting together or racing on the highway are not included in the book.

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The movie also ignored a few short stories regarding Gordie and adds a few flashbacks which were no where present in the novel. The factors that make the movie a bit boring are the repeating elements such as singing the theme song again and again, Vern’s obsessions, Gordie and Chris showing of their friendship on certain points. Adding further more to this, Gordie’s association with his brother is a lot stronger in the film, where as in the novel, Denny and Gordie were not close to each other.

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A number of characters are new in the film as compared to the book. A few actions are also there which make the story to go on a different side. In the book, it was Gordie, not Chris, who fought Teddy off the roadway ahead of he possibly will endeavor a train move, whereas in the book it was Chris who dragged away the gun, but Gordie accomplishes it in the picture. In addition, the team member who endangered the boys with a dagger in the book was in fact Jackie Mudgett, and not Ace. A number of appearances of conversation are spoken by diverse characters.

In the book, the line "…going to see a dead kid, maybe it shouldn’t be a party" was spoken by Vern, (King, Stephan, Pp 75) and the line “you won't mind if we check the seat of your jockies for Hershey squirts” was spoken by Teddy. In the picture, these dialogues are conversed by Gordie. (King, Stephan, Pp 75) The picture presents a number of characters that were not a part of the book and vice versa. For example, in the book there were two extra young men in Gordie's "mob name John and Marty DeSpain who were out of town during the story, but they are never mentioned in the movie.

Consequently, the book didn’t present a variety of components in the mob throughout the pie competition that the picture categorizes. A number of the distinctiveness of the people in the narration is distorted. For example, both of Teddy's ears had been flamed in the volume, but in the picture only his left one is. The name of the mongrel dog was Chopper, whereas in the picture he is a golden retriever. The first name of the mayor who hands round as the presenter throughout the pie competition is altered from “Charbonneau” to “Grundy” and Vern’s nickname “Penny” is not at all conveyed up.

Gordie was moreover an enormous Red Sox admirer in the volume, and his respect for Ted Williams was renowned. This attribute is in no way affirmed in the picture, and given that Gordie is eager to be dressed in a New York Yankees cap, it is extremely improbable (IMDB, pp. 1). An additional distinguished dissimilarity flanked by the book and the picture is the nature of the store clerk. In the volume, he was an irritable individual who attempts to deceive Gordie of his cash two times and shouted heatedly at him as he left the supermarket.

In the picture, he is a mannered and understanding man who is inquisitive about Gordie’s individual existence, and who identifies with with Gordie over Denny’s termination, as he himself misplaced a brother throughout the Korean War. On the other hand, in the film it can be seen that the grocer endeavors to place his thumb on the level, until learning of Gordie's relation to Denny. The event hands out as an additional illustration of Gordie's world, wedged among not to be relied on adults and dependence on the reminiscence of his brother Denny.

Stand by Me founds a great deal concerning Gordie’s relations than the novel does. In the volume, the era of Gordie's parents are stated during the instance the boys investigated for the remains and the age of Gordie's mother was when she happened to be expecting a child with Dennis is also revealed; none of this was revealed in the film. In the volume, Denny was in the armed forces at the instance of his decease. The film doesn't institute this, even though props in Denny’s area provide the thought that he was almost certainly out of high school and perhaps even in school when the misfortune took place.

Considerably, the volume offers an epilogue that murder off not just the character’s best pal, but all of the sustaining characters. In the King’s volume the smallest amount illustrious of destinies are assembled by the two characters whose fortunes are overlooked in the picture. Vern puts in flames when he passes out on a cigarette and Teddy is murdered in a car collide at some stage in a competition although he was sitting in the decease place (passenger side front seat with no airbags). In the manuscript and picture Chris Chambers is the disastrous number. Chris is recognized as supernaturally and fundamentally superior character by King.

More for the reason that of his “diamond in the rough” temperament for his relations was serene of criminals and at that instance and municipality. Chris is rough and well-grown, but makes use of his adulthood to be a negotiator to a certain extent than a fighter. His appeasing propensity and ripeness are well-known constantly: He is all the way through the book and movie the influence of a cause, protecting his friends from equally substantial and affecting damage. Chris's bereavement is an untimely but appropriate surrender: in a fast food eating place, he impulsively steps among two men who have occupied in a knife-fight.

Chris is cracked in the gullet, being contracted an immediate fatality. Gordie is the solitary survivor, a deliberately translucent demonstration of King himself, who exists on and engraves, but with none of his friends. Note that in a vision succession subsequent the notorious parasite progression in the volume King demonstrates his ambivalence to early day’s friends,envisioning his associates as acquisitive to his appendage and covering him, and announcing that acquaintances simply "hold you down. " The defeat of his best companion Chris take him back that he will "in no way have associates like that once more.

" The final penalty is just exposed in the novel: the destiny of the rival, Ace. To a certain extent than the rapid bereavement decided to Chris, Teddy, and Vern, Ace is observed by Gordie years afterward in a restricted inn: his jagged features become softer by fat, grown-up old earlier than his time. Gordie's conquest is that of existing well. Conclusion: From the above comparison and contrast, it is quite evident that there were a number of differences in the book and movie that portrayed it. The plot, characters, sequences all had one or another difference.

On the whole the movie is an average illustration of the book giving the moral of loving and helping friends and how a group of friends can move on. The book is very near to the life of Stephen King as he sees himself in Gordie and tries to give him such a character in which Stephen King saw him in his life.


IMDB (the Internet movie database) Stand by me, 1986. (2009)Retrieved on 30th January 2009 from : http://www. imdb. com/title/tt0092005/ King, Stephen. The Body. Published by Recorded Books, LLC. Pp75 (1984)

Updated: Nov 01, 2022
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Comparison and Contrast of the Movie and the Novel. (2016, Dec 10). Retrieved from

Comparison and Contrast of the Movie and the Novel essay
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