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In this research paper I’m going to describe about theater production technology which it is using digital production and how it is saturate to the mise en scene.
Cinematic theater is term of using digital projection in contemporary theatre. That can be briefly described as a fusion of live performance and the magic of the big screen. By utilizing the best dramatic devices that each art form has to covey a story and entertain an audience; the possibilities to create interesting narratives and stage dynamics through the synergy of stage and cinematic design is exciting.
Cinematic theatre is a contemporary style of drama that revolves around using pre-edited and live vision sequences to be projected onto screens and surfaces. These sequences are then integrated with the live performance to create dramatic meaning that interacts with the dramatic action on stage.
The integrated use of projection during scenes and scene changes allows the stage action to become continuous, therefore creating a suspension of disbelief that engages the audience. In the ever increasing technological environment, more and more information and storytelling is being brought to us through visual images and screens; contemporary audiences are able to read layered visual texts.
In developing a creative rationale for the utilization of cinematic sequences in live performance you have to consider various factors; how to use the projected vision without overwhelming the stage performance, creating a theatrical and visual design that enhances the dramatic meaning and the narrative choice between screen and stage action. To guide the creation and production of new work we have developed a description of the elements of cinematic integration for live performance.
To accompany the Cinematic Theatre style they have devised a comprehensive creative rationale that we teach to educators and students using the conventions and elements that we utilize to produce visual performance work.
Primary Conventions: The basic principle of Cinematic Theatre is to create a continual experience by using visual sequences projected onto screens or surfaces, in conjunction with set design and lives performance to create different dramatic spaces. The cinematic design should be active throughout the performance, to achieve this there are two primary conventions that are used to integrate the stage with the
Visual design: Cinematic Backdrop is the live visual environment that works together with live scenes on stage to create a dynamic visual design to enhance the dramatic action.
There number of ways to utilize the live backdrop: Cinematic Transitions are the visual sequences between the live stage scenes that allow the performance to continue during scene changes keeping the audience engaged.
These transitions work very well with music and the use of popular songs to accompany these cinematic sequences to add meaning and action, especially if the music chosen is representative of the narrative.
Visual Conventions: In producing a Cinematic Theatre production there are number visual conventions that can be utilized to create a genuinely integrated performance.
Style Elements: When conceptualizing the visual component of a cinematic theatre performance it is important to address the overall style with reference to the script/ narrative/ context.
In below describe technologies, which is using for the cinematic theatre.
Screens and Surfaces: Traditionally projection has been used on one screen directly behind the stage action, much like a movie screen. With more mobile projectors and screens it is possible to think of new ways to place and project images. A number of screens can be used to create different effects, in What Simon Said? there rear projected screens were used to create the walls of the character’s room as the cinematic background. We envisage being able to create large-scale immersive environments to create distant horizons, urban architecture or multiple images. Stage design allowing the utilization of projected images on surfaces can create a dynamic canvas on which to apply vision. The applications are only limited by your imagination and ability to position the projector. Some examples include: a window space to see outside, a mirror to show symbolic representations of character, floor space to create a pool of water, smoke, curtains etc.
Lighting design: It is important when incorporating video into live performance that you consider the effect of lights on the screen surface. One difficulty in setting lights is that they can significantly degrade the brightness and colour of the screen images if there is light either directly hitting or bouncing from the floor onto the screen. One solution is to set the screen up from the floor and placing some blocks/staging in front to block some of the bouncing light. When considering colour gels it is imperative to consider colours used in the screen images and try to match them as well as possible to give a blended effect.
Mise-en-scène Mise-en-scène is a French term and originates in the theater. It means, literally, “put in the scene.” For film, it has a broader meaning, and refers to almost everything that goes into the composition of the shot, including the composition itself: framing, movement of the camera and characters, lighting, set design and gen earl visual environment, even sound as it helps elaborate the composition. Mise-en-scène can be defined as the articulation of cinematic space, and it is precisely space that it is about. Cutting is about time; the shot is about what occurs in a defined area of space, bordered by the frame of the movie screen and determined by what the camera has been made to record. That space, the mise-en-scène, can be unique, closed off by the frame, or open, providing the illusion of more space around it.
Four aspects of mise-en-scene, which overlap the physical art of the theatre, are setting, costume, lighting and movement of figures. Control of these elements provides the director an opportunity to stage events. Using these elements, the film director stages the event for the camera to provide his audience with vivid, sharp memories. Directors and film scholars alike recognize mise-en-scene as an essential part of the director’s creative art.
Conclusion In this research I’m trying to explain ‘contribution of digital projections for approaching mise en scene in contemporary theatre performance.’ In the first part I briefly explain what is ‘Digital projections’, ‘mise en scene’ and ‘contemporary theatre performance’.
Mise en scene is French term and it generally use for film appreciation or film criticism. But previously this term use for critic theatre productions. Actual meaning of mise en sence is ‘put in the Frame’. Frame is basically explained in both film and theatre. So I think using term of mise en sence is possible in theatre productions.
For creating theatre sets, props and space generally using hard materials. But in this art form those things create by digital projections. This is major development of the contemporary theatre productions. Further more I’m explaining advantages and disadvantages of usage digital projection in this art form. Finally I’m talking about choreographers who use this art form successfully and showing few videos.
Basically this is new art form. It is impossible to compare with other theatre performance, which is not using digital projections. Choreographers day by day create new art pieces using projections. So I think this is major occasion of digital media use in society.