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Reality and Personality Transcends Technique Essay

I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. \ Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings.

In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them.

Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique.

There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY.

Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden.

Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality.

I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique.

There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden.

Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique.

There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them.

Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique.

There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them.

Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings.

In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them.

Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. v v Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality.

I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY.

Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings.

In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them.

Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. v v vLife and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique.

There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY.

Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings.

In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them.

Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality.

I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY.

Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique.

There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY.

Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature.

However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY. Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique.

There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy. I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden. Life and Success” alzd “Tales of the Plzilippines” Copyright, 1921 EY.

Zorto hl. GALANG All rights reserved JAN 26,1922 — – PREFACE I wish to depict conditions as they exist and reflect them in my writings. In fact, “A Child of Sorrow” is a fragmentary page of real life, with a &tinc morale and personality. I believe that personality transcends technique. There is no doubt but that we are all after truth and sincerity, and not dream’ and fantasy.

I have woven a native story of a local color, imbued with modern and foreign elements,-as I want . the best that is local and the best that is foreign harmoniously. blendeh together to form what is known as our National Literature. However, I implore silence as to the red ,lames of some of the personae of the novel, for they are still living, and probably you have once or twice met or talked with them. Silence, you know, is golden.


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