In the painting, Brooklyn Bridge by Joseph Stella and the photo Brooklyn Bridge by Walker Evans a comparison of the two artistic figures, colors utilized, perception, painting verses film, and the mood each creates reveals that the oil on canvas that Joseph Stella is the more interesting presentation of the Brooklyn Bridge. The two artists portray the same subject in two totally different ways that change the mind and artistic finding of their audiences.
The painting and the film depict the same bridge with different artistic views. The painting by Joseph Stella uses an assortment of colors while the film by Walker Evans is black and white. The film depicts a more realistic representation of the Brooklyn Bridge, while the painting embodies a more creative aspect of the Brooklyn Bridge. The colors Stella chose to use are a variety of different shades of blue, green, yellow, white, black, purple, and red. While using colors, the artist has the ability to create an entirely imaginative illustration of their focus. When Evans chose to use a black and white Gelatin silver print depiction of the Brooklyn Bridge, he restricted his ability to create an artistic view of it because he is only able to capture exactly what is seen through the lens of the camera. Evans was able to be creative by the choice of using black and white.
The colors used in the film by Evans and the painting by Stella also create the mood of their audience. Stella uses vibrant and bright colors, which set an exciting and happy mood for the individual who is looking at it. When using bright colors, Stella was able to captivate her audience and make them feel welcome and blissful. Whenever eyes see something bright and colorful, a person’s mood can change in such a positive way. The vibrant colors chosen gave the audience the ability to see the Brooklyn Bridge in such a positive light. Evans chose to use black and white, which creates a dull and dark mood for an audience. Black and white photos have the tendency to alter the audience’s mood and turn for the negative. When looking at Evans film of the Brooklyn Bridge, it appears to be dark, gloomy, and sad looking. The black and white colors chosen give off such negative vibes and can make an audience never want to visit the Brooklyn Bridge because of the mood it illustrates.
Perspective plays a major role in an artist’s demonstration of their focus and their ability to show off their skills. The use of the worm’s view gives a different perspective of the same subject because of the placement and angle that comes from such. Stella’s use of the worm’s eye view gives the audience an asymmetrical and distinctive perspective of the Brooklyn Bridge that one would usually not see if they were to look at other images of such. Evans use of the birds eye perspective tends to take away from the creativity of the image because if they were to go visit the Brooklyn Bridge in person, they would not see that same view.
Perspective is vital because it tends to give the audience a different angle method and also gives the audience a chance to fathom while viewing the artwork. The difference in perspectives in this instance, create two diverse interpretations of the bridge. The bird’s eye view Evans chose to use constructs the height and length in a non-realistic manner, generating a distant viewpoint. The worm’s eye view in Stella’s painting provides the audience a realistic vision of the size of the bridge by exhibiting length and height at a particular angle.
In the painting, Brooklyn Bridge by Joseph Stella and the photo Brooklyn Bridge by Walker Evans a comparison of the two artistic figures, colors utilized, perception, painting verses film, and the mood each creates reveals that the oil on canvas that Joseph Stella is the more interesting presentation of the Brooklyn Bridge. The two artists portray the same subject in two totally different ways that change the mind and artistic finding of their audiences. The artists were completely different in the ideas and effects used to depict the Brooklyn Bridge. They were both able to show their skills and artistic ability. Evans symmetrical, black and white, life like film, and Stella’s vibrant bright colors, asymmetric painting were great depictions of the same Brooklyn Bridge.
Evans, Walker. “Brooklyn Bridge, New York, 1929.” Picturing America. Ed. Meredith Hindley. Washington: National Endowment for the Humanities, 2008. 69. Print. Stella, Joseph. “Brooklyn Bridge.” Picturing America. Ed. Meredith Hindley.
Washington: National Endowment for the Humanities, 2008. 69. Print.
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