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Pablo Picasso: Comparison and Contract of His Works Essay

The Artist. The man named Pablo Diego Jose Francisco de Paula Juan Nepomuceno Maria de los Remedios Cipriano de la Santisima Trinidad Ruiz y Picasso is renowned for the shorter name Pablo Picasso. He was born on October 25, 1881 in Malaga City, in Andalusian region of Spain. His parents were Jose Ruiz y Blasco and Maria Picasso y Lopez. His father was a painter who worked as a curator in a museum as well as a professor of Arts and Crafts. Pablo Picasso received formal art training from his father at an early age. At sixteen, he was sent to Royal Academy of San Fernando to be an artist. His Works.

He had many artistic paintings from the beginning of his career. There were art creations by this genius that greatly showed his evolution in different art forms during his time. Among them are the Child with a Dove in 1901, the Italian Girl in 1917 and the Girl Reading at a Table in 1934. The art qualities and representations of his arts were distinct with each others. The Child with a Dove, which he made in the early years of his career showed the traditional style of his art’s representation. This displayed his technical abilities in painting as a young artist. The oil canvas was applied with thick layers of paints or known as ‘impasto’.

The artistic ability of Pablo Picasso was represented in a different light with his artwork in 1917, the Italian Girl. In this painting, he displayed a colorful synthetic cubism style different from his earlier traditional art. This painting holds the colorful and lively color of his early work with the Child with a Dove. However, the depiction of the human female form was represented in cubes which was an exact opposite of the form and shapes he had in his early artistic representation. Both paintings are oil in canvas. His other work that displays the female form is the Girl Reading at a Table in 1934.

This artwork displays another totally different approach in his art. His adoption of the surrealism art is clearly depicted in this art. Although he still used oil in canvass, this specific art included enamel. Influences. The Child with a Dove was a pure and traditional artistic representation of the young artist that may greatly be from his training with his father. While in the Italian Girl, it depicts the Cubism art of his time. The true revolutionary approach of the Pablo Picasso here was inspired greatly by Cezannes. The flattened space shown in the art was a great turn around from his traditional approach to art.

Moreover, his great adaptation of the different artistic display was greatly seen in his surrealist art in his work, Girl Reading at a Table in 1934. At this time the great effects of the war were also seen in the many works of art just like that of Picasso. The classicist displays of artistry were then the mode after the shock and horror was over. Conclusion Generally, the Child with a Dove among the three mentioned arts was the most acclaimed of them. His works in the Blue Period which were realism were more accepted than the later works he had which are debated.

(Koppelman) His work of arts displays a real artist since he was not only known in one form of artistic representation but with a number of styles. Moreover, his fame after his lifetime proves that his contribution in arts of different forms. All in all, he was known to have an estimated 50,000 artworks during his life. He was capable of changes and adaptation of all the different eras of arts in his time. His pieces selling in millions of dollars in our time are evidences enough of his great influence to the arts in the past as well as in the present. The Picasso’s creature had been influenced on developing of Art and Culture of XX century.

And on the world auctions before nowadays are searched and sat out for sale new and new little known works of famous artist from his huge heritage (http://www. pablo-ruiz-picasso. net/) Works Cited Hamilton, George H. (1976). “Picasso, Pablo Ruiz Y”. in William D. Halsey. Collier’s Encyclopedia. 19. New York: Macmillan Educational Corporation. pp. 25-26. PabloPicasso. Net. (unknown). <http://www. pablo-ruiz-picasso. net/>, retrieved on May 07, 2009. Koppelman, Chaim (1988). “Power and Tenderness in Men and in Picasso’s Minotauromachy”. Aesthetic Realism Foundation. New York City 10012 <http://www. aestheticrealism. org/News-ck. htm>


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