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Debussy’s use of the Fibonacci sequence

Math has been associated with music for many years, particularly that of the Fibonacci sequence and the Golden Ratio. In Debussy’s Nocturne, composed in 1892, I look into the use of the Fibonacci sequence and the Golden Ratio. Previously it has been noted that composers used the Fibonacci sequence and the Golden Ratio in terms of form, however in my analysis I look into the use of it in terms of notation as well. I will explore how the idea of Sonata form is used along with the Mathematical Model of the Fibonacci sequence. It is however important to mention that as this is one of Debussy’s earlier works, the extent that the ratio and sequence are explored are not…